Top 10 Summertime Pop Punk Track Ones

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If you’re like us, the first weeks of warm weather and sunny skies provide the perfect opportunity to drive with the windows down and the stereo cranked up. What better way to celebrate the beginning of the spring and summer months than with pop punk blaring from the speakers?

Believe it or not, there was a time when listening to your favorite pop punk songs didn’t include downloading the latest single from iTunes or queuing up a playlist from Spotify. Instead, it meant inserting your favorite CD or cassette tape into the stereo and starting from track one.

That’s why we’re celebrating our favorite summertime pop punk track ones. These are attention grabbing, foot tapping, sing-a-long ready songs that kick of some of our favorite summertime albums. Check out our top 10 below and feel free to chime in with your favorite track ones in the replies!

10. The Fratellis – “Henrietta”

“Henrietta” by the Fratellis is an energetic romp that starts off Costello Music, an album full of singles. From the crisp slap of the high hat, the baritone sax acting as bass and the rickety guitar chords, the song never takes itself seriously and builds the energy right up until the very end. It’s one of the few songs I can think of that has a solo of the band members shouting “Wa wa wa waaaa”, only to be followed by the pub-rock lyrics of, “Clean out the bank and bump off your daddy, you can come live with us amongst the has beens and the addicts”. – Kyle Schultz

9. Relient K – “Chap Stick, Chapped Lips, and Things Like Chemistry”

Back in the day, Relient K were known as the corny goofballs of the pop punk scene. With Two Lefts Don’t Make a Right, But Three Do, the band turned the corner towards a more serious sound, while still keeping the cheekiness that made them so fun to begin with. “Chap Stick” is the perfect example, as the song celebrates one of the greatest of all summertime traditions: a trip to the theme park. Vocalist Matt Theissen even laments losing his phone “to the lake beneath the Batman ride”. It’s a song about youth, summer and the awkward relationships that come along with both. Theissen ends the song with his infamous line, “I don’t want to be perceived the way I am / I just want to be perceived the way I am”. – Kiel Hauck

8. My Chemical Romance – “Helena”

“Helena” became one of the oddest singles to dominate MTV, mostly due to the hypnotizing umbrella dances amidst a funeral, and introduced the world to My Chemical Romance. What it lacks in the polish of MCR’s later work, it makes up for in raw punk energy and Gerard Way’s gorgeous crooning. It’s atmospheric, creepy and commanding as Way sings, “So long and goodnight, so long and goodnight”; a fitting end to a season of energy. – KS

7. MxPx – “Middlename”

“Emotion is my middle name!” Likely one of the most famous opening lines of any pop punk album, these lyrics, courtesy of Mike Herrera, kick off Life in General, one of pop punk’s seminal albums. Driven by the fast-paced drumming of Yuri Ruley, “MIddlename” is a definitive example of the golden age of pop punk, combining the perfect emotional blend of confusion, anger and determination. MxPx has always had a knack for crafting upbeat, in-your-face tunes and “Middlename” is the match strike that ignites an album that bands would be replicating for more than a decade. – KH

6. Green Day – “American Idiot”

“American Idiot” is a quintessential summer song: loud, catchy and extremely pronounced. For being a song with such a simple melody, the chorus of, “Don’t want to be an American idiot, one nation controlled by the media / Information age of hysteria, it’s calling out to idiot America” is legendary. Simply put, it is a song designed from the ground up to blow out car speakers and demand fist pumps in the putrid humidity. If there’s anything that can keep spirits up in the heat, it’s the song that helped relaunch Green Day’s career. – KS

5. Fall Out Boy – “Tell That Mick He Just Made My List of Things to Do Today”

No, we’re not the types to go on and on about how Take This To Your Grave is Fall Out Boy’s best album and everything since has fallen short. However, there’s no doubt that “Mick” is an absolutely killer opening track. From the opening dial tone to the Stump’s belting of “around your throat” to close out the song, it’s a blast of nostalgia from beginning to end. Along with its upbeat feel, the song showcases some of Wentz’ most potent songwriting, including the infamous line, “Let’s play this game called when you catch fire I wouldn’t piss to put you out”. – KH

4. Saves the Day – “At Your Funeral”

“At Your Funeral” by Saves the Day is without a doubt one of the most well known songs in the scene. With the slow build up of twangy plucked strings leading to the brutal ending and shaking guitars, the song is a slow build that ends in absolute melodic madness. For as dark as the lyrics can be, the song is so upbeat and poppy, it’s impossible to not be happy or sing-a-long as soon as the opening sentence drudges out of Chris Conley’s mouth, “This song will become the anthem of your underground”. – KS

3. All Time Low – “Weightless”

The guys in All Time Low were facing a rather big moment in their careers upon the release of their third full length release in 2009, Nothing Personal. Would the band keep the momentum that had propelled them to the forefront of the pop punk scene or hit a speed bump that would send the band crashing back to reality. With the album’s opening track, “Weightless”, one thing was crystal clear – All Time Low was here to stay. The epitome of a summer anthem, this song had just he right amount of pep and positive energy to push the band over the top. Vocalist Alex Gaskarth’s “Maybe it’s not my weekend, but it’s gonna be my year” captures the heart of summer’s dog days for many and provides a dash of hope for the days to come. – KH

2. blink-182 – “Feeling This”

While it isn’t blink-182’s most famous song, “Feeling This” is a great summer song with varying styles and the first hint of the band’s more mature sound. The bouncing guitar blazes past Travis barker’s amazing drumming and intertwines lyrics about a lustful relationship falling into the bedroom, constantly pushed forward by Mark Hoppus’ shouting “I’m feeling this”. The duo toy with R&B elements and pop, holding the signature fury of their signature sound at bay just long enough to build towards a final wave of pop punk the likes of which the genre as a whole hopes to create. – KS

1. Yellowcard – “Way Away”

Before the title track of Ocean Avenue would become everyone’s summer anthem in 2003, “Way Away” proceeded it as the album’s lead single. If those opening notes don’t give you chills, it’s likely a sign that you missed out on this incredible album’s heyday. LP’s drumming, Sean Mackin’s violin and Ryan Key’s belted notes of “Way away away from here I’ll be” scream to be played at full volume with the wind in your hair. Truth be told, this entire album is a summertime experience from start to finish, but “Way Away” kicks things off perfectly. – KH

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

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Review: Billie Joe + Norah – Foreverly

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Billie Joe Armstrong is a divisive name in the punk scene. Either he’s recognized as a punk rock legend for some of the most epic songs and records in the genre, or as an annoying sellout. Norah Jones is an indie princess who has spent the last decade forging a name for herself through bluesy inspired folk pop. Admittedly, I don’t know that much about her music, but I hear that she is just swell.

Although Billie Joe isn’t known for his quieter side, the collaboration with Jones, effectively called Billie Joe + Norah, is a beautiful pairing between two renowned artists that pushes both into unfamiliar territory. The fact that this is a cover album of The Everly Brothers’ Songs Our Daddy Taught Us might throw some people off, but the record is a rare chance to see new aspects of musicians exploring outside of their genres, especially for Billie Joe, in ways that we’ve never known them.

Songs Our Daddy Taught Us
was originally released in 1958 by The Everly Brothers, a rock and roll duo in the days of the still newborn genre. The release is a collection of traditional songs that the duo learned as children. Billie Joe + Norah’s take on the album is a tribute to the original material more than it is a reimagining or reinterpretation. The duo play it very close to the vest on the record, so much so that at first glance, you wouldn’t know that it isn’t The Everly Brothers singing. However, the biggest tell is the full backing on the CD, as opposed to the original’s guitar and singing only.

What Billie Joe + Norah manage to capture almost perfectly is the beautiful harmonies that both sing together, which is partially what The Everly Brothers are known for. However, the downside to how well they match the original brothers is that they don’t try anything new to expand on it. This style of music is a refreshing sound that just isn’t practiced anymore, and seeing the duo releasing Foreverly as a tribute is a welcome surprise that tosses a wrench into the scene. One of the best parts of the album is how basic everything sounds, as the music sits in the background while the duo’s crooning singing dominates each song.

Lead single “Long Time Gone” is a faithful rendition of the original, complete with the twang of country-inspired guitar. Without an intricate and heavy musical style, the song uses the music to push the lyrics front and center as Billie and Norah croon together. “Oh So Many Years” is much in the same vein, a pop guitar song with the simplest drum beat and piano hidden behind acoustic guitars. Like any good folk song, it lyrically tells a story rather than rely on hooks to catch the listener. This track is easily the poppiest on the record and includes an electric guitar solo midway through. The album can feel monotonous at times, but the simplicity to the songs is one of their most endearing aspects.

Billie Joe + Norah’s debut album is a throwback to the older genre of rock and country that is as refreshing in this day and age as it is a uniquely made tribute album. While it is sure to introduce a new generation to past legends that they may not have otherwise listened to, the album can be so similar to the source material that it’s almost redundant.

While faithful covers are always welcome, some reimagined songs that really showcased the musical talents of both Billie Joe and Norah’s take on the songs would have been an incredible addition. That being said, the album is surprisingly refreshing in a scene that is starving for creativity and hopefully the start of more collaborations between the duo revisiting classic albums to introduce them to a new generation.

3/5

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and yells at the rain on occasion. He also wants to play you in FIFA.