Reflecting On: The Killers – Hot Fuss

It wasn’t until after I saw The Killers that I realized how much I enjoyed their music. They played in Boston for their farewell tour and I literally hopped in the car with my friends when someone couldn’t make the show. It’s still the best spontaneous thing I’ve done. After the show, I embarked on a Killers journey, which I started to chronicle on Twitter, but then stopped bothering everyone with it, as one does. I listened to each album in chronological order – one album a day – to find out my favorite album. And, no pun intended, 2004’s Hot Fuss came out on top.

You can buy or stream Hot Fuss on Apple Music.

It’s hard to believe that one of alternative’s most important albums could be 15 years old, but here we are. The Killers were a band way ahead of their time in 2004, cranking out songs that were both radio friendly and edgy enough for those youths looking for the next big thing. “Mr. Brightside” continues to dominate charts 15 years later, and that’s a real accomplishment. As of May, it was #93 in the Top 100 on the UK singles charts.

The album tells a heck of a story about a high school kid trying to make it work. “Jenny Was a Friend of Mine” is (supposedly, but I wholeheartedly accept this conspiracy) the third in what’s known as the Murder Trilogy, in which Jenny has been murdered. The trilogy starts with “Leave the Bourbon On the Shelf”, which can be found in their 2007 B-sides album Sawdust, and continues with the Hot Fuss track “Midnight Show”. The other theory about the album is that the main character, personified by Brandon, is actually gay, and the motive for Jenny’s murder is the fact that the unnamed boy is secretly in love with Jenny’s boyfriend. They’re both plausible if you listen to the album, but I’ve always had a penchant for conspiracy theories, in music and otherwise.

So, why the heck are we all still listening to Hot Fuss? I’d venture to say that it’s both a mix of nostalgia and the fact that the album is truly timeless. I’m not trying to bash anyone, but Panic! At the Disco’s first album sounds very much like the year it was released in – 2005. The early 2000s were obsessed with creating something new and exciting, but I feel like The Killers were able to do it more efficiently. They created a musical experience that perfectly encapsulates growing up in a small town and feeling trapped. And yeah, of course we associate Hot Fuss with the year it came out, because for many listeners, it was a justification of the niche genre they had fallen in love with. It truly brought the alt scene to the mainstream.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

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