Being the youngest in the family can be a real downer. Rarely getting to take part in games with the older siblings, being perpetually confined to the backseat, having to fight for attention. In the case of the youngest DuPree siblings, Christie and Collin, the age gap resulted in living in the shadow of indie pop act Eisley, featuring sisters Sherri, Stacy and Chauntelle and brother Weston.
No longer must they wait their turn. The Tyler, Texas, brother-sister duo, better known as Merriment, began touring in 2012 before releasing the Through the Rough EP that same year. They have since signed with Equal Vision imprint Rory Records and have released one of the most remarkable debut albums of the year in the form of Sway.
You wouldn’t have been remiss to think of Merriment as a sort of Eisley Jr. in their earlier form. Christie’s vocals share a familiarity with her sisters’ and her dream-like songwriting over the top of the duo’s stripped-down acoustic sound lent itself well to comparisons. With Sway, the band hasn’t been completely reborn from their roots, but they’ve certainly distanced themselves far enough to be considered much more than a carbon copy.
Indeed, Sway leans much more in the direction of indie-folk and even alt-country than it does indie pop or rock. The duo’s songwriting has grown bounds since Through the Rough and their melodies now shine brightly.
While the album’s first two tracks, “Take Heart” and “Tremendous Love” wouldn’t feel too out of place on Eisley’s 2013 release Currents, the real progression begins with “Somehow”. The song holds a distinct country twang that surprisingly fits the band quite well – Christie’s vocals swoop up and down over the strum of her guitar as she prepares the listener for her story with the line, “I would tell you but I don’t think / You wanna hear these words I’m ‘bout to sing”.
Along with the sonic shift, much of the album’s content takes a turn for the personal, with Christie sharing stories that hint at youthful pain, confusion and hope. Even the mysterious lyrics of album standout “Backwards” seem to point at something deeper, especially with the line “Take it from someone who sees both sides of the story”. The track’s infectious chorus is driven forward by appropriately controlled percussion, showing its hand as a folk song while remaining covertly pop.
It’s these sorts of transitions and meshings of genre that keep the listener maddeningly engaged. “Patterns” once again displays the band’s poppier side with a cute, catchy chorus that finds Christie emulating the vocal stylings of elder sister Stacy, while “Right Again” swings the band back in a slower, folkier direction with the sounds of a plucking banjo. Album closer “Unhinged” utilizes a string arrangement to push the song to a crescendo.
In truth, Sway is all about motion, whether it be in terms of the figurative heart or in reference to the band’s shifting musical stylings. If this collection of songs seems at all scattered, chalk it up to experimentation from a young duo with a whole lot of talent at their disposal. One could hope that the band bends in the direction of their country/folk sound in future releases, but to nitpick at the details would be to ignore the promise and downright infectiousness of this fresh debut.
Merriment are no longer the cute little siblings of the Eisley circle. With Sway, they have established themselves as their own separate and unique entity – one that is sure to improve and grow even more in the years to come. For now, Sway is an astounding starting point.
4/5
by Kiel Hauck
Kiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.
