It’s All Dead Podcast Episode: 014 – The Best of All Time Low


Fresh off of their highest charting album to date, pop punk stars All Time Low are flying high. On the latest installment of the official It’s All Dead podcast, Kiel and Kyle break down Future Hearts, rank each All Time Low album and share their favorite songs from the band’s discography. During the discussion, they also chat about the band’s future and legacy. Listen in!

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Posted by Kiel Hauck

All Time Low Tops Billboard Album Sales Charts with “Future Hearts”


With just over 70 thousand albums sold, All Time Low’s Future Hearts will debut at #1 on the Billboard Top Album Sales chart and land at #2 on the Billboard 200 chart, just behind the Furious 7 soundtrack. This is the best opening week of the band’s career.

Future Hearts has received rave reviews since its release last Tuesday. If you haven’t yet purchased the album, you can but it on iTunes. Congrats to the band!

Posted by Kiel Hauck

Review: All Time Low – Future Hearts


There’s a level of excitement that surrounds a new release from All Time Low that most bands will never see. Each of their albums becomes an event for the pop punk community, whether that be for better or worse. Where the issue lies is that a core group of their fans (myself included) can’t stop hoping for the same connection to an album like So Wrong, It’s Right, even as the band matures and grows artistically. Even though they’ve delivered time and time again, writing some of the best songs in the genre in the process, there is still a level of disappointment that follows them from record to record.

Future Hearts is the best record All Time Low have written since So Wrong, It’s Right. It is the culmination of the best elements of their last releases finally put together to create their most concise record in years. It is an album that, like Harry Potter, has aged itself with the fans from throughout their career instead of appeasing the appetites of teenagers just wanting something to sing along to. The sacrifice though, is a lack of power songs that will forever define them the way that “Dear Maria, Count Me In” or the best songs from Nothing Personal did.

Future Hearts sounds like a sister album to Dirty Work, or rather it’s what Dirty Work should have been. The songs lean to the edge of alternative rock and hone on anthemic choruses and radio-ready pop warfare. The sophistication of the writing coupled with the production make it sound much more mature than the album probably deserves.

This is also the ATL with the least amount of New Found Glory-esque popping guitar melodies, opting instead for melody driven by vocals backed with rushing guitars and heavy percussion(“Kids In the Dark”), which at times hampers the sound. It’s a testament to each members’ musicianship; from focusing so heavily on vocals, each instrument still pushes through brightly.

Jack Barakat and Alex Gaskarth play some heavy guitar parts that shifts from raging power chords to melodic acoustic based ballads (“Kicking and Screaming”, “Cinderblock Garden”). Zack Merrick’s bass bolsters the guitars heavily, keeping them from feeling flat at times and sharking just beneath the surface. Rian Dawson’s percussion is arguably the second most relied on instrument after Gaskarth’s vocals. The drums are powerful, heavy and moving.

Gaskarth’s vocals are standard fare at this point; he’s an amazing singer with remarkable range. He makes full use of it throughout the record, and provides small background snippets during songs just before launching into the chorus. Gang vocals are dropped generously throughout the record. However, for relying on Gaskarth’s vocals so heavily, he sounds slightly muted and uninspired compared to what we know he’s capable of. Still, he’s wickedly impressive. More impressive though are how well he melds with the guest vocalists Mark Hoppus and Joel Madden.

One of the catch twenty-twos of the album is the lyricism. There are clichés aplenty to hamper any growth thematically, as it’s impossible to count how many “in the dark” phrases are splayed throughout. It pays off as it attempts to slant a ‘grown up’ vibe to themes of heartbreak and drunken mistakes, as well as reflecting on youth as a disjointed and possibly even broken concept of freedom. On the opener, “Satellite”, Gaskarth sings, “Wishing on a star that’s just a satellite / Driving in a car with broken tail-lights / Growing up with eyes glued shut”.

However, the legendarily catchy lyricism is alive and well over all, such as during “Tidal Waves” as Alex sings serenely, “I earned my place with the tidal waves / I can’t escape this feeling that something ain’t right / I called my name as I crashed the gates / Still I can’t escape this feeling that something ain’t right / Why don’t you think before you speak? / Cause you don’t know me at all”.

Future Hearts isn’t perfect, but it’s the reason why we wait so anxiously for each new album from All Time Low. They are so far and above where they should be as musicians for a band that seemed to fill the party-punk void left after Blink-182 disappeared. It’s easy to write them off as just another pop-punk band, but that would undercut the ever growing talent and patches to older efforts.


by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and has seen All Time Low there at least four times. You know, like a stalker or lonely mountain goat.

All Time Low to Release “Future Hearts” on April 7


Pop punk stars All Time Low have announced that they will release their new album Future Hearts on April 7, via Hopeless Records. You can preorder the album here. They have also released a new music video for single “Something’s Gotta Give” and announced a headlining tour with Issues, Tonight Alive and State Champs. View the video and see the tour dates below:

Apr15 – Lowell, MA – The Tsongas Center
Apr16 – Bethlehem, PA – Sands Bethlehem Event Center
Apr17 – West Long Branch, NJ – MAC Center at Monmouth University
Apr 18 – Raleigh, NC – The Ritz
Apr 20 – North Myrtle Beach, SC – House of Blues
Apr 21 – Charlotte, NC – The Fillmore
Apr 23 – Boca Raton, FL – Sunset Cove Amphitheater
Apr 24 – Orlando, FL – House of Blues
Apr 25 – Atlanta, GA – Masquerade Music Park
Apr 27 – Houston, TX – House of Blues
Apr 28 – Dallas, TX – South Side Ballroom
Apr 29 – Austin, TX – Austin City Limits
May 1 – Tempe, AZ – The Marquee
May 2 – Anaheim, CA – City National Grove
May 3 – Los Angeles, CA – The Wiltern
May 4 – San Jose, CA – City National Civic
May 5 – Seattle, WA – Showbox SoDo
May 8 – Salt Lake City, UT – SaltAir
May 9 – Denver, CO – Fillmore Auditorium
May 10 – Kansas City, MO – Uptown Theater
May 11 – St Paul, MN – Myth Live Event Center
May 13 – Columbus, OH – The LC Pavilion Outdoor Amphitheater
May 14 – St Louis, MO – The Pageant
May 15 – Chicago, IL – Aragon Ballroom
May 16 – Milwaukee, WI – Eagles Ballroom
May 17 – Plymouth, MI – Compuware Arena
May 19 – Rochester, NY – Main Street Armory
May 21 – Pittsburgh, PA – Stage AE (Outdoors)
May 22 – Philadelphia, PA – Skyline Stage at the Mann Center
May 23 – New York, NY – JBL Live at Pier 97
May 24 – Baltimore, MD – Pier Six Pavilion

What do you think of the new single? Share your thoughts in the replies!

Posted by Kiel Hauck