You can view part one of our Best Albums of the Decade feature here.
20. Panic! at the Disco – Vices and Virtues
Vices & Virtues is arguably the greatest comeback story in the history of music. After the departure of half the band (including the main songwriter), Brendon Urie and Spencer Smith resurrected Panic! at The Disco to heights that no one could have ever imagined. Urie mastered the art of playing multiple instruments and writing lyrics, while Smith layered each song with hypnotizing percussion. Vices & Virtues reunited the band with the glamorized pop sound that initially made them famous while forging a sound unique to the two albums that came before it. Without Vices & Virtues, it’s hard to see how Panic! At The Disco would have ever found the footing to absolutely dominate the radio in a time when the medium seems almost defunct. – Kyle Schultz
19. CHVRCHES – The Bones of What You Believe
One can argue the true genesis of the decade’s indie synthpop revival, but there is no denying that The Bones of What You Believe served as the movement’s North Star. While the previous decade was overrun with egrieged boys spewing venom over distorted guitars, vocalist Lauren Mayberry flipped the script for the 2010s, with a buzzsaw of dark, emotive (and catchy) hooks over shimmering synthesizers. The 12 tracks of CHVRCHES’ debut worm their way into your brain from the first listen and set a startlingly high bar for a sound that defined the decade. – Kiel Hauck
18. Twenty One Pilots – Blurryface
After two years of silence following their Fueled By Ramen debut, Vessel, Tyler Joseph and Josh Dun released 2015’s Blurryface. The album is arguably their most popular, and put them on the front of every major music publication. Their catchy refrains and energetic live shows continue to fill up stadiums worldwide, and their outspokenness about mental health awareness has kept the band on the tip of everyone’s tongue throughout the back half of the 2010s. – Nadia Paiva
17. My Chemical Romance – Danger Days: The True Lives of the Fabulous Killjoys
The greatest sin committed by Danger Days is that it faced the monumental task of meeting unprecedented expectations. Taking a massive swing, My Chemical Romance wrote an epic rock fantasy that firmly planted its own distinct sound in the band’s catalog. It doesn’t always stick the landing, such as truly explaining the story concepts that make such a prominent role in the songs and their titles. However, what does work is ambitious, driving, and as catchy as anything the band has ever written. For a band celebrated for music about depression and vampires, Danger Days took us on the adventure the band had always wanted to explore in the first place. – KS
16. letlive. – The Blackest Beautiful
Punk music needed a voice like Jason Aalon Butler’s in the 2010s, and it may have gotten more than it bargained for. The Blackest Beautiful was one of the most ferocious albums of the decade and solidified letlive.’s place among the post-hardcore elite. Across the album’s 11 tracks, we see the promise of a raw, unbridled band coalesce before our very eyes, harnessing an urgency that had been missing in a genre that demands it. That The Blackest Beautiful pushes all if its chips toward its passionate social and political message only solidifies its place as one of the decade’s only punk classics. In hindsight, letlive. may have flown too close to the sun, but this moment of fire was worth it. – KH
15. Paramore – Paramore
The self-titled album was a big comeback for Paramore. Having gone through a rocky cycle with 2009’s Brand New Eyes, the band regrouped and rebranded themselves as a bonafide pop band in 2013. “Ain’t It Fun” won Best Rock Song at the 57th Grammys, making it the band’s first Grammy award. The album has all of the great things we loved in Paramore’s previous work, but it also paved the way for their 80s-influenced After Laughter. – NP
14. Hellogoodbye – Would it Kill You?
Would It Kill You? subverted all expectations placed on it at release, seamlessly blending modern pop, pop rock and classic pop into a sound unlike anything else in music. Hellogoodbye singer Forrest Kline sounds completely energized, having turned the focus of the music from electronic rock to folk-pop. The songs pulse with energy and sweet emotion, letting the band take chances and push their own boundaries to great effect. The deftly crafted layers of pop music and the blending of genres make this album sound like a true work of art, breathing new life into a band some had already blown off as a one hit wonder. – KS
13. Frank Ocean – Blonde
Four years after the release of his jaw-dropping debut album, Channel Orange, Frank Ocean fans had begun to resign themselves to the idea that there may never be a follow-up. But Blonde came suddenly, and excitement quickly transitioned to awe. Blonde is complicated, mesmerizing and intense – the work of an introverted artist meandering through the halls of his past, dangling answers before quickly replacing them with more questions. Psychedelic and smooth, Ocean explores sexuality, social constructs, and inner truth in equal measure, crafting one of the most immersive and ambiguously beautiful records of the decade. – KH
12. Lana Del Rey – Born to Die
This is definitely more of a personal choice for me, because other than the single “Video Games”, this album was underrated when it was released in 2012. I feel like it has become a gateway for a lot of people (and artists who would later claim the term) to a more self aware, grittier side of music that they might not have been drawn to if it wasn’t for tracks like “Off to the Races” or “Summertime Sadness”. This album is also a prime example of perseverance, because even though it’s not Lana Del Rey’s most critically acclaimed album, it didn’t stop her from releasing incredible music later in the decade. – NP
11. Taylor Swift – Red
Taylor Swift was a phenom before the release of Red, but this album opened her up to an entirely new audience. Combining modern pop songs with country proved to be a bridge between genres that fans could easily grasp onto. While Red prepped Swift for her foray into pop music, it also pulled new fans into the genre of country music even if they would have never been interested before. The album captures the feeling of past loves, with all of the happiness and anger that comes with them, and attempts to find meaning between the two. Hiding between genres, Red harnesses the strengths of country, pop, and rock to unite anyone willing with the same emotions. – KS
Posted by Kiel Hauck
it's all dead 