Most Anticipated Music of 2020: Hayley Williams Introduces Petals for Armor

It’s no secret that the past album cycle for Paramore has been a rollercoaster. Between the highs of re-becoming friends with Zac Farro and the lows of her divorce from Chad Gilbert, Hayley Williams has really been put through the wringer. Like any artist, she’s taken these experiences outside of Paramore and transformed them to release her first official solo project, “Petals for Armor.”

We have only a project title, no single, no album confirmation, but that’s all right with me. We have a release date of ~something~ for January 22, 2020, along with some very cryptic posts on the Petals for Armor Instagram account she made for the occasion. The title for the project seems to refer to an interview Hayley did where she recalls being in a session and envisioning “flowers growing through her”.

As much as I’d love Paramore to continue on until the end of time, I’ve learned as I’ve grown up that it’s more important for artists to be healthy and that the art they create be honest and something they’re proud of. And more than ever, that’s something Hayley Williams deserves.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Most Anticipated Music of 2020: Kendrick Lamar Continues His Streak

In case you missed it, Compton rapper Kendrick Lamar spent the 2010s crafting one of the greatest three-album stretches in recorded music history, capped in 2017 with the Pulitzer Prize-winning DAMN. So essentially, it was a pretty great decade for Lamar – and hip hop music in general. But what comes next?

Rumor has it that he has put the finishing touches on album number five, which will likely drop this year. Lamar has explored a variety of sounds across his previous work, at times blending a variety of genres, such as jazz, funk, and soul. A tweet from one Billboard columnist suggests that rock could be added to the mix on this latest effort.

No matter what it sounds like, one can rest assured that Lamar has plenty left to say. In 2015, To Pimp a Butterfly became a piercing exposition of institutional racism, full of deep reflections on the black experience in America. DAMN. followed suit while taking an internal detour into Lamar’s own pysche. Whatever is to follow is sure to kick the decade off right and continue the artistic trajectory of one of the most powerful voices in music.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

Most Anticipated Music of 2020: My Chemical Romance Emerge from the Shadows

It was Luna Lovegood that said, “Things we lose have a way of coming back to us in the end, if not always in the way we expect.” I’ve found this to be rather true when it comes to some of my favorite bands. There was a time in the not too distant past when it seemed like all of my most beloved bands were calling it quits: Underoath, Saosin, Anberlin, blink-182, Fall Out Boy. Yet all of these bands (and more) resurfaced in some fashion over the course of the past decade, many with a completely new look and sound.

Not to be outdone, My Chemical Romance re-emerged late in 2019 with a massive reunion show just before the close of the decade. It’s been over 10 years since the band released their last album, Danger Days: The True Lives of the Fabulous Killjoys, and if I’m being honest, I kind of expected the band to stay gone, seeing as several key members have found success in new ventures. But here we are on the cusp of what will likely be a large 2020 tour announcement and, if we’re lucky, new music.

I’ve written and talked extensively about the impact Three Cheers for Sweet Revenge had on my life when it dropped in 2004, and the effect the band had on my musical tastes. My Chemical Romance is a band that defined an era and created some of the most memorable sounds to come from the scene we love. Whether 2020 is simply an overdue victory lap for the band or a full re-entrance into the pop culture zeitgeist, I’m here for it. I can’t wait to see what Gerard Way and company have in store.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

Most Anticipated Music of 2020: Another Dose of Anchor & Braille

It’s been a very long time since we’ve heard anything new from Stephen Christian’s side project Anchor and Braille. The past three albums from the band are the other side of Stephen’s musical coin. In Anberlin we have the heavy-hitting rock, but with Anchor & Braille we have a softer, sultrier, synth-ier side. They’ve released three albums since 2009, and 2016’s Songs for the Late Night Drive Home has been a staple for me. I’ll admit I’m ready for something new.

We first got an inkling some things were moving around when Stephen posted on the Anchor & Braille Instagram for the first time since May of 2018. He then posted three consecutive photos with the distinctive Anchor & Braille use of the French language, as well as something that said “Frank Ocean” and a photo of the record deal. Stephen stated in his podcast, The Art Collective that he’d like to make another album with Aaron Marsh, which leads me to theorize a return to Tooth and Nail à la Copeland?

Whether it’s an EP, an album or a film, I’m excited to see Stephen Christian come back into the music world. Seeing Anberlin play live again was a dream come true and renewed my faith that we would hear new music from the guys again. Even though it might not be Anberlin-proper, and that may be something we never get, I’m so looking forward to new music from my all-time favorite side project.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Most Anticipated Music of 2020: The Killers Aren’t Done Yet

Only a few who are reading this were subjected to my 2018 challenge to rank all of The Killers’ albums. This was in response to seeing the band on what was to be their final tour/album cycle for 2017’s Wonderful Wonderful. Surprise, surprise, just like Coldplay, The Killers changed their minds and are back with a new album they are calling Imploding the Mirage.

I ended my Twitter thread prematurely and never officially ranked them, but as they moved closer to the pop phase of their career I found myself falling out of love with the band. In listening to Wonderful Wonderful now though, I’ve gained a new appreciation for The Killers in what I will put affectionately as their “dad phase.”

Based on the single released in January of last year, “Land of the Free”, the band seems to be heading in the vein of politically charged pop-rock – not to be confused with punk. I doubt it will be another Hot Fuss, or even another Sam’s Town, but I trust that this latest offering will be full of the same spirit they’ve put into their past albums.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

The Best Albums of 2019

With our Best of the Decade lists in the books, it almost feels anticlimactic to look back on just 2019. But that would be unfair to a year that provided us with a breadth of music that broke molds, reinvented artists, and introduced us to some of the voices that will surely define the next decade.

We previously talked about 2019 as a year that saw the end of genre as we know it. And sure, that’s probably an overstatement, but it’s clear that this year saw a very real blurring of the lines. The best hip hop album of the year could hardly be categorized as just that. Much of this year’s pop music felt fresh and starkly different than what we’re accustomed to. So let’s look back at a year full of surprising and fascinating albums. And as always, share your favorites in the replies!

15. blink-182 – NINE

I am of the camp that believes that 2016’s California was the moment of blink-182’s true re-birth. An album that captured at least some of the spark of the band’s early days without feeling like it was set in the past. But I wasn’t expecting NINE – an album that sounds like a band (finally) growing up and expanding their sound in all of the ways that make sense. And look, I’m aware of the need for eye rolls upon seeing an album like this on a list like this, but when I listen to NINE, I hear an album that feels fresh and relatable. And that’s not normal for a band that saw its heyday flash before its eyes two decades prior. – Kiel Hauck

14. New Found Glory – From the Screen to Your Stereo III

Anyone can make an album of covers, but it takes talent to make them sound unique and worth covering. From the Screen to Your Stereo III is not only the best of New Found Glory’s series of songs from movies, these songs sound as though they were made for the band from the start. Fast, playful and emotional, From the Screen to Your Stereo III is a joy to listen to and a masterclass on turning what should be a gimmick into art. – Kyle Schultz

13. Tiny Moving Parts – Breathe

This album may come as a surprise because of the albums I’ve waxed poetic about in our podcasts and other reviews this year. Breathe is the perfect math rock album the scene needed to cement the subgenre as a staple part of the pop punk family. All of Tiny Moving Parts’ albums are great, but Breathe is incredible. There’s not a track out of place, and it flows seamlessly. Tiny Moving Parts are the perfect band to start a math rock journey with, but you may just stop there, because they are truly the best in today’s scene. – Nadia Paiva

12. Bring Me the Horizon – amo

Unlike much of the old metalcore guard that has begrudgingly adapted their sound to something much more mundane and unimaginative, Bring Me the Horizon have spent the better part of the decade crafting their future as artists. Amo is an album unlike any other in rock this year, and maybe ever. A genre-bending affair the finds the band dipping their toe into electronica, pop and alternative, the album twists and turns, sonically and thematically, throughout, keeping the listener off-kilter, but fully engaged. Amo isn’t an album for the fans, but it’s an endeavor that sets them apart from their peers and opens new doors of possibility for a band that is dead set on sticking around. – KH

11. Aaron West and the Roaring Twenties – Routine Maintenance

Considering it is a sequel album, Routine Maintenance manages the seemingly impossible task of meeting the cavernous emotional depths of its predecessor. Creator Dan Campbell shows real growth of Aaron West’s character, who has led quite the life in the five years between albums (“Bury Me Anywhere Else”). Having put Aaron through absolute hell, Campbell successfully shows the resolve and determination of a person building a new life for themselves in a fully realized and vibrant world. Routine Maintenance is an album about rebirth (“Runnin’ Toward the Light”) and the strength of family (“Routine Maintenance”). – KS

10. From Indian Lakes – Dimly Lit

Another album from the DIY, lo-fi world is the latest offering by From Indian Lakes. He released this, his fifth album, independently, and created magic. I love when artists get to truly express themselves and Dimly Lit is one of the best examples. It takes twists and turns, but Joey Vannuchi holds all the strings in his hands, never letting them get tangled. Borrowing plenty of support from the outside, the album is filled with gentle lyrics and a swelling soundscape that will make you fall in love. – NP

9. Carly Rae Jepsen – Dedicated

It isn’t easy to follow-up one of the most heralded pop albums of the decade, but Carly Rae Jepsen has never been one to dwell on past success. Frankly, it’s unfair to compare Dedicated to E-MO-TION, but if you have to split hairs, the former is a more grown-up style of pop music. Jepsen leans into her seductive side without losing the more relatable elements of her lyrics and personality that draw her fans in. From the quirky synthesizers that open the album on “Julien” to the funky beat of “Want You in My Room”, Jepsen finds new tools to add to her arsenal without losing sight of the elements that make for a great pop record. Put plainly, Dedicated is a delight. – KH

8. The Early November – Lilac

Lilac is easily the most diverse album in The Early November’s career. Effortlessly juggling new stylistic choices with the group’s renowned emotional sensibilities, Lilac is ambitious, unpredictable and sweeping. Vocalist and songwriter Ace Enders pushes himself to a career-defining high across an album that is ultimately about finding the strength to save yourself from a number of addictions and vices. The instrumentation from each band member is intricate, lavish and astoundingly gorgeous. After a career of refining their sound, Lilac is the album that The Early November were always trying to write. – KS

7. Wallows – Nothing Happens

While I didn’t formally write about this album this year, it quickly became a favorite. I’ve long been a fan of lo-fi pop rock and Nothing Happens is the best of the best. It’s packaged in soft, melodic ribbons and bows but there’s plenty of punch – glitter in the card, if you will. The members of Wallows wrote a great album about dealing with the end of adolescence and being forced into the big adult world. – NP

6. Tyler, The Creator – Igor

Tyler, The Creator began the decade as one of the most divisive artists in the country, seemingly driven by shock value and an outdated, misogynistic approach in a genre that was trying to shed that label. Things began to shift around the time of Tyler’s surprisingly vulnerable Flower Boy, and Igor seems to capture his full metamorphosis. A venture more inspired by funk and neo-soul than rap, Igor finds Tyler sensitive and gentle as a singer, but more than anything, it solidifies him as an artist willing to take risks. And in doing so, he has become one of the most fascinating producers and songwriters in hip hop. – KH

5. The Regrettes – How Do You Love?

How Do You Love? Is an album that immediately makes a name for itself by being loud, fun and sincere. A collection of songs about falling in love, The Regrettes manage to take the most generic topic in music and make it completely their own. The album is a playful mixture of  sincere sweetness (“Coloring Book”), emotional conflict (“Dead Wrong”) and sarcastic confusion (“How Do You Love?”). The guitars expertly weave indie pop and garage surf rock into an explosive sound. This album also includes one of the year’s best singles and music videos, “I Dare You”. – KS

4. Lana Del Rey – Norman Fucking Rockwell

Lana del Rey released Norman Fucking Rockwell to a fanbase ready for a new direction from the alt pop princess. She tells tales of the harder parts of fame here, highlighting personal insecurities, making the album one of her more relatable projects, but wraps it all in a fresh take on Americana that made the wait worth it. A jazzy cover of a Sublime song and a poignant closer make this album one of the best of the year. – NP

3. Billie Eilish – When We All Fall Asleep, Where Do We Go?

Billie Eilish has been on a collision course with this moment for a while now. A moment in which genre lines have become almost completely blurred and artists are no longer confined by industry gatekeepers and the major label machine. No matter how you feel about it, When We All Fall Asleep, Where Do We Go? has to be considered one of the year’s defining albums, simply because of its impact. At age 17, Eilish may have broken pop music, being much more interested in making something that interests her than making something that comforts our expectations. Funny thing is, Eilish is an undoubtedly great artist, and this thing she has created will be now be mimicked by many, creating a new pool of music that is quite unlikely to hold a candle to its inspiration. – KH

2. Taylor Swift – Lover

A highlight in a career of high points, Lover is a powerful album drenched in romanticism. Every story told throughout the album reflects a hopeful future, even in the darkest moments. Gloss pop mixed with deep R&B beats and hints of Swift’s country roots peek through the cracks to create a sound that is as intimately familiar as it is diverse (“Cruel Summer”). However, Lover still finds time to highlight an anti-patriarchy anthem (“The Man”) and a commentary on the current state of politics (“Miss Americana & the Heartbreak Prince”). Lover celebrates Swift’s past by somehow poising her future to shine ever brighter. – KS

1. Copeland – Blushing

Blushing is at the top of my list because of how it has stayed in my mind since Valentine’s Day. Along with the unconventional Thursday release date to fit with the album’s themes, the album was one of my most anticipated at the end of 2018, and my first five-star review of 2019. It continued Copeland’s musical journey in the same vein as 2014’s Ixora, and brought back a lot of the whimsy we’ve seen in their earlier releases. Blushing is set to stand the test of time as a beautiful piece of art, and a gem in the crown that is Copeland. – NP

Honorable Mention

Hozier – Wasteland, Baby!
Say Anything – Oliver Appropriate
Queen of Jeans – If You’re Not Afraid, I’m Not Afraid
Lizzo – Cuz I Love You
Maggie Rogers – Heard it in a Past Life

Posted by Kiel Hauck

Emarosa Release New Single “Ready to Love”

One of the most criminally underrated albums to be released so far in 2019 has to be Peach Club, a record that saw post-hardcore mainstays Emarosa undergo a full pop transformation. Released in early February, the album is full of synthpop and 80s influence and provides a new canvas for vocalist Bradley Walden to strut his stuff.

Last week, just in time for the band’s upcoming headline tour, Emarosa dropped “Ready to Love” – a new single that expounds on all of the promise contained within Peach Club. It’s a smooth track with a brilliantly emotional hook from Walden. Take a listen below.

Dates are selling out for the upcoming Peach Club Tour. Check here to see if tickets are available when the band stops through your city.

What’s your favorite song from Peach Club? Share in the replies!

Posted by Kiel Hauck

Review: From Indian Lakes – Dimly Lit

I’ve taken more than a few days to try to start writing about From Indian Lakes’ new album Dimly Lit. I don’t always know why it takes me longer to write about certain albums and some albums I can sit and write about 10 minutes after I have listened to it once, but I feel like it often has to do with a few factors. One is how familiar I am with their previous material, another is how detailed the album is. 

You can buy or stream Dimly Lit on Apple Music.

With Dimly Lit, I fell more on the side of album detail. I’ve been listening to From Indian Lakes for years now, even writing my own review of Absent Sounds when it released in 2014. I love the band unashamedly, often pushing their albums onto my friends, assuring them they’ll enjoy the creativity and soothing vocals of Joey Vannucchi. I’m always right. From Indian Lakes has progressed quite a bit since 2014, but even more so since their first album The Man With Wooden Legs. Joey’s music is almost unrecognizable from that first album, filled with harsh vocals and an emo-revival goal. What hasn’t changed is how he grips you from the first track. 

“New Love” is a completely opposite sound from Everything Feels Better Now’s “Happy Machines”. Joey has completely bloomed. While EFBN is more introspective and a late night drive album, Dimly Lit begs to be played on a boombox outside of your girlfriend’s window, waking up the neighbors. From “Your Heartbeat Against Mine” to “Garden Bed”, it’s a beautiful expression of affection and genuine emotion.

This time around, Joey decided he didn’t want to go it alone. He asked a bunch of friends to sing with him on the album, including Lynn Gunn of PVRIS (“Did We Change”), and Miriam Devora of Queen of Jeans (“Garden Bed”, “Faces”). The guests keep the album from being too monotonous and are always perfectly suited for the tracks they took on.

The whole album is an absolute treat and it loops so beautifully that I didn’t even realize it had played all the way through. It clocks in at just about an hour and is worth every second. Joey released it independently, which might be the most surprising fact because of how cohesive it sounds. From Indian Lakes will be joined by Queen of Jeans and Yummm this fall to tour Dimly Lit, and you can bet I’ll be there vibing in the front.

5/5

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Switchfoot Sets Sail on the Fantastic Traveling Music Show

Back in 2017, something that I never thought would happen happened. Switchfoot announced an “extended hiatus.” I actually wrote a piece lauding them for the 20 years of music they had given us. Well, fast forward almost two years later and Switchfoot pretty much played a huge practical joke on us all. They took 2018 off, sure, but then ended up releasing a new album, Native Tongue, in January of this year.

They spent February to April touring the new album and then announced another fall tour – The Fantastic Traveling Music Show. My husband and I try to catch their Boston show whenever they happen to be on the East Coast, but there wasn’t a Boston show this time around. We made a three(!) hour trek up to Connecticut, and it was totally worth it.

The premise of the concert was a shipwreck. The band went crazy with the set design, and had a literal boat on stage, which was pretty rad. They didn’t bring any openers, instead playing two sets. The first was an acoustic portion, where they took audience requests by pulling songs from a bottle, keeping with the maritime theme. I’ve seen Switchfoot play twice before this date, and there were songs I had never heard live. Even though it was cool as a fan to hear those older tracks like “Company Car”, I almost feel like the whole show’s concept was a way for the band to keep things fresh for themselves. They’ve been playing together for so long at this point; I don’t blame them for mixing it up.

The second act was a full band set. Instead of the boat, they suspended a hot air balloon above their instruments. The highlights during the second half were definitely “Meant to Live”, “Float” and “This Is Your Life”. Even now, into the later years of their career, the band has intense chemistry that makes every set seamless.

Accompanying the requests were reasons the person had chosen them and a very poignant moment was when they played “Where the Light Shines Through” for a family whose daughter was born with severe complications. The band has always been open and genuine about their own personal lives and struggles and it was nice to see them acknowledge the part their music plays in others’ lives.

They often bring a charity on tour with them and this time around they chose Food for the Hungry. Their goal is to have 365 children sponsored to receive food, clean water, and education. You can find more information about their partnership on their website. Switchfoot has been an irreplaceable band in so many lives throughout the past 22 years. I am so grateful to see them continue to make music and invite us to celebrate with them.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Podcast: Cove Reber Reflects on Saosin’s “In Search of Solid Ground”

Ten years have passed since post-hardcore act Saosin released In Search of Solid Ground, the final album to feature lead vocalist Cove Reber (now in Dead American). On the latest episode of It’s All Dead, Reber joins Kiel Hauck to reflect on the events leading up to and during the recording of the album and discuss why its legacy has changed so dramatically over the past decade. Reber shares stories from the studio and explains how tensions within the band, and with their record label, impacted his experience in creating the record. Listen in, and be sure to check out Cove’s new band, Dead American!

Like our podcast? Come join the conversation on Flick Chat and subscribe to our show on Apple Podcasts.

What is your favorite Saosin album? Share in the replies!

Posted by Kiel Hauck