The Phoebe Bridgers Reunion Tour: An Experience Worth Waiting For

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It had been just over two years since the last time I had attended a concert. I was apprehensive. I wondered if that passage of time had somehow quelled my love of the setting. Maybe I didn’t need live music experiences anymore, at least not with the same frequency as before. That’s what I was thinking, but then the lights went down, a band came on stage, I raised my camera to capture the moment, and felt that familiar rush wash over me. I missed this more than I knew.

It’s wild to think about how much has changed for Phoebe Bridgers since the last time she took the stage. Pre-pandemic, Bridgers was still carving her path, building on the early momentum of her debut, Stranger in the Alps, and her collaborative projects, boygenius and Better Oblivion Community. But then came Punisher, a perfect album that changed everything, but all took place in isolation. There was Bridgers in February, in attendance at a bizarre Grammys in her skeleton pajamas, never having had the chance to perform the songs that had changed her life in front of a live audience.

Truthfully, after all we’ve endured, it has made this late summer’s Reunion Tour the perfect opportunity to finally re-connect and share our experience of Punisher together. The tour’s dates were recently moved to outdoor venues, requiring proof of vaccination or a negative COVID test for entry. It felt about as safe as you can feel these days at an event filled with strangers.

MUNA opened the night – an electro pop trio I had no prior knowledge of. And guess what; it’s still so much fun to discover a new band at a concert. Led by vocalist Katie Gavin, the band exhibited an infectious joy onstage throughout their set, making it impossible to look away. Opening with tracks like “Number One Fan” and “Stayaway” from their 2019 full-length album, Saves the World, the band’s knack for creating dance-worthy tracks ranging in emotion and energy set the tone for the night. When they debuted their new track “Silk Chiffon” (featuring Bridgers), it made clear that MUNA is on the cusp of reaching another level.

To finally experience Punisher in person was…therapeutic? Healing? Relieving? It was something. Bridgers opened with “Motion Sickness” from her debut, making a subtle nod to the idea of our collective reunion. “Let’s experience something familiar before we dive into the new stuff.” From there, “DVD Menu” led into “Garden Song” which led into “Kyoto” and oh my god every song still sounds so perfect. Every track from the album happened in sequence with various other songs from Bridgers’ other works sprinkled within.

The setting fit the mood – dark, but lit with just enough light to create a “vibe.” A backing screen featuring an opening book that visualized the chapters of the performance. And of course, Bridgers and band decked in those skeleton PJs. Highlights of the show depended on your own personal attachments. For me, “Moon Song” proved just as sad and lovely as I had hoped. But it’s hard to outdo a choir of screaming to those final moments of “I Know the End”. Every song was delivered with care. Every moment felt worth absorbing.

In hindsight, I can’t think of a better show to reacquaint myself with the setting. Punisher has meant more to me in this past year than I can put into words. Having the opportunity, after all of this time, to experience it like this? In a weird way, it almost felt worth the wait.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Review: Phoebe Bridgers – Punisher

In true Phoebe Bridgers fashion, her new album Punisher runs the gamut, with a title that fits the bill. She sings about childhood, faith, substance abuse, and loads of other realities that cut to the core. From the beginning of “DVD Menu” to the final notes of “I Know the End”, listeners are brought to their knees. It’s beautiful.

You can buy or stream Punisher on Apple Music.

I’ve casually enjoyed Bridgers’ music since 2017’s Stranger In the Alps, but unlike many others, I didn’t give her much thought until lately. When I think of women in recent music that stick out to me, I often think of Bridgers’ friend Julien Baker, who joins Bridgers on track 10, “Graceland Too”. I don’t know what it is about women who write sad music, but I can’t get enough. I suppose I feel a kinship to those who believe that women can be both forceful and feminine, and the way that Phoebe and others in her class tackle these subjects embody that for me.

The album begins with “DVD Menu”. She said in her Apple Music interview that it samples the final song from Stranger, and it’s a sweet bit of continuity that ties the two projects together. It continues with the single “Garden Song”, a track about personal growth. The next track, also a single, talks about how the foundations built in our childhood influence the adults we grow to be – even when we don’t think they will.

The ideas about feeling unworthy of the love and success she’s garnered over her years of traveling and playing music are relatable for anyone who has tried to make a difference in any way. The title track about meeting her musical hero, Elliot Smith, and worrying that she’ll simply be a nuisance rather than a welcome guest is relatable to anyone who looks up to those who have made a difference. The album is deeply introspective and offers a raw look into how Phoebe has grown as a performer since stepping away from PAX AM and paving her own path.

My personal favorite track is “Moon Song.” It stuck out to me from my first listen and I’ve looked forward to it every listen since. It cuts deeply in a way that I guess I don’t understand. Maybe I’m just not ready to face that emotionally yet? Either way, it’s a masterpiece and even though it’s smack in the middle of the album, I think it’s the best track.

Suffice to say, I love the new Phoebe Bridgers album. The gentleness in her delivery completely counteracts and dulls the knives she sings about. It’s a true escape in a time where it can be necessary to step back and take a breather.

5/5

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.