I’ve written A LOT about Emery in my time here on It’s All Dead. My pieces, whether they’re reviews of new albums or reflections on past projects, generally boil down to the continuity and consistency Emery have displayed through their 19- (and counting) year run. Their latest, White Line Fever, is no different.
You can buy White Line Fever by joining Emeryland.
The album isn’t necessarily a new step in Emery’s path, but rather a continuation of 2018’s Eve. It’s not as heavy as their other projects musically, but they’ve definitely not skimped lyrically. The things they’re singing about are as hard-hitting as ever. Gone are the days of songs about superficial relationships. The guys in Emery know that we’re all adults now, and they’ve treated their listeners accordingly here.
Forcing listeners to take a deep look inward at their worldview and how it’s affecting the way our lives play out is at the forefront of White Line Fever. Actions have consequences, and on songs like “The Noose,” and “Biddy”, those consequences are evident. But it’s not all doom and gloom here. On “2:38” they reminisce on their early days on the road, and how their lives have changed since then.
This isn’t my favorite Emery album, nor is it their best, but it’s another fitting addition to their discography. If there’s one thing that they’ve learned over 19 years, it’s where their wheelhouse lies. They make great post-hardcore music, and nary do they stray from that formula. I feel like at this point in my Emery-fanhood, I’m focusing more on what the band has to say, rather than the manner in which they present it. I’m always a sucker for a great hardcore band, but an Emery album is a double whammy of solid music and something to really mentally chew on and spend some time with.
What has kept me listening to Emery over the years is their transparency to admit that they’re different than they were in 2001. So many bands I grew up with as a hardline Christian kid refused to admit that, and they became almost fraudulent in my eyes. The guys of Emery have made it a point, almost a defining feature, of their art to declare that change is not only natural, but often beneficial. They’ve made it okay for someone like me to realize that I don’t feel the same way about some things that I used to. Because of their courage, I’ve grown in my perception of faith and how it fits into my life.
4/5
by Nadia Paiva
Nadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.
