Review: New Found Glory – Resurrection

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During Chicago’s Riot Fest, Chad Gilbert took the mic midway through their set to address the frenzied crowd in the brief pause between moshing and jumping. He talked briefly about how the last year has been the worst they’ve ever been through and described it as hitting their absolute “rock bottom” as a group. It’s true; it’s been a rough year to love New Found Glory.

The departure of founding member Steve Klein from the band came as a shock, but not as much as the news of the charges against him and the brewing talk by fans on forums about the rest of the band. Without the second guitar, their sound wouldn’t be as full and the shadow looming over the neigh untouchable group disappeared slowly with the enormous gap that they put between themselves and Klein.

Resurrection isn’t just another NFG album, nor just a punk sounding title. It’s a full rebirth for a band that found themselves as low as they’d ever been, and that’s coming just a few years after writing an album (Not Without A Fight) dealing with the divorces the various members had gone through. Resurrection is true to its name; it’s a full rebirth for New Found Glory with a renewed sense of urgency and anger. The guitar is heavier, the bass is louder and the lyrics are absolutely brutal.

The songs aren’t exclusively about girls like they used to be, but this is New Found Glory at their finest, delivering the best album since Sticks and Stones. The pop is lighter, the punk is harsher and, despite the similar easycore grind, each song remains memorable. It’s the type of punk that the band has been attempting to achieve ever since the Tip of the Iceberg EP and true to the legacy that allowed them to make a near perfect Ramones Cover EP (Mania). Even with the addition of more breakdowns, it sounds like authentic New Found Glory.

The most noticeable thing about Resurrection is that it’s incredibly harsher and stronger than any of their past releases, opting for punk songs with pop elements bleeding from the vocals as opposed to the instruments themselves. Gilbert, as the sole guitarist now, grinds out ferocious power chords in hypnotically catchy rhythms complete with scratches and the metallic vibrations of the strings. Ian Grushka’s bass is a rapid assault that traces the scales. The bass is much more noticeable than on past records with an authority and weight that gives a massive energy to the songs. As usual, Cyrus Bolooki’s drumming is top notch and the standard to which the rest of the pop punk genre adheres to.

Vocalist Jordan Pundik scales the range of his voice throughout the songs and delivers one incredibly chorus after the other. The most noticeable difference is that the lyrics are much more aggressive. The album starts with lead single “Selfless” in similar vein as fan favorite “Understatement” in that it’s a rapid assault anthem of self worth and the hope for strength.

With the absence of Klein as the lyricist, it almost sounds like the band took inspiration for the more personalized lyrics of new bands like The Wonder Years. It also sets the tone for the record with the daring proclamation during the bridge of, “No I’m not gonna settle anymore, no I’m not gonna hold my tongue / If you haven’t made enemies then you never stood for anything”.

Perhaps the most startling song on the record is “The Worst Person”. It is either a direct attack on Klein to clear their view on the entire situation involving him or someone in a very similar situation who did the band wrong. The song is fueled with the rage most likely responsible for the passion and fire that makes Resurrection so intriguing and powerful while maintaining a classic structure that almost sounds like it was torn from the track list of their Self-Titled.

The track also contains the most inflammatory lyrics of the band’s career as Jordan shouts, “You hid your life away, you didn’t want them to know you were hooking up with girls in Boston / You might be the worst person I’ve ever met, I’ve ever known / You keep doing all that shit you regret, end up alone”. It is single-handedly the most aggressive and personal lyrics the band has ever written.

The entire record is a challenge and an anthem of fighting back from the brink. “One More Round” rings with a raging chorus of “One more round, kick me when I’m down, but I already won when my name rolled off your tongue” against the crunch of the guitar.

Resurrection is a comeback album that no one knew was needed. Ironically enough, the worst thing to ever happen to the band may have been just the inspiration needed to knock them to the next. Their sound hadn’t evolved terribly much over the last fifteen years, but finally sounds mature and aggressively relevant. There’s no need to focus so much on love and girls when there is so much more that needs to be tackled.

4.5/5

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and might be slightly biased because NFG was the first band he discovered fifteen years ago. But that doesn’t matter because no one reads this lil’ bit anyway. Bwa hahahahaha!

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Comments

  1. Coming Home was a badass album… shoudn’t dismiss it so readily.

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