Seeing as how the Chicago Blackhawks just won their third Stanley Cup in the last six years, “Chelsea Dagger” by The Fratellis is going to be played religiously across the city like a wind storm. And for good reason.
Aside from arguably being the best and most recognizable song in the band’s catalog, it’s a reminder that Scottish indie rock magicians The Fratellis have the ability to utterly dominate with their music, captivating a city as one unit in the opening chant to “Chelsea” at every goal. With a new album, Eyes Wide, Tongue Tied announced just weeks ago, it’s a good time to remind you why this is something to be excited about.
The Fratellis are a weird bag, as they don’t fit in any scene. The best description is that of being a mixture between the high energy and funk of Franz Ferdinand and the engaging experimental subtleties of Brand New. A fan of any genre of music will find something that they love within just a few songs of any album; The raw, explosive energy of any song from Costello Music, the acoustic ballads (complete with mandolin on at least one occasion), the unabashed love letter to rock from Here We Stand, or the intricate tongue-in-cheek storytelling lyrics that follow characters from song to song across most albums. Every song is unique and oozing enough Brit pop to make Noel Gallagher vomit in the garden.
What sets The Fratellis apart is something that few bands can truly accomplish but most envy: evolution. Their first album, Costello Music made such a name for them with loud, unseemly intricate guitar rock, highly memorable choruses and riffs designed specifically to make rooms of people in pubs sing along word for word. The problem is that most people simply stopped following them afterwards, thinking that nothing could top it. Instead of simply making the same record twice, their sound has continuously evolved towards a bluesified version of their iconic energy, grabbing different ideas from every corner around them.
Jon Fratelli’s side project, Codeine Velvet Club, took the rampaging guitars and melody of Costello Music and added jazz elements and a horn section, along with the seductively feminine, smokey ‘fifties’ vocals of Lou Hickey, while his solo material focused on lower production and the thundering rampage of two drummers. When The Fratellis reunited soon afterward, their followup album, We Need Medicine incorporated these ideas back into the three man unit and pushed them even further.
Their reunion record wasn’t so much a reformulation of their past material like so many other bands, but instead was an accumulation of everything that had come before it. The band has never cut corners when it comes to evolving as artists, despite making their name with a specific sound.
Eyes Wide, Tongue Tied has only one song out so far, and it is vastly different, yet again, from anything that has come before it. “Me and The Devil”, the first single from the new album, is driven by piano, heavy drums, subtle bass and even subtler guitar. Even compared to the band’s previous endeavors, it’s out there.
Jon’s vocals are mellowed, smooth, and surrealistically channeling Death Cab For Cutie. It’s nothing that you’d expect from them, but it romances you into a serenity while listening. While there’s no definitive idea of what the album will sound like, it’s exciting to know that it won’t be a repeat of anything they’ve done so far.
The Fratellis are a band that literally everyone should be paying attention to. Sooner or later, one of their songs will be perfectly suited just for you. Each album is an evolution in a continuing story of music so genuine, it’s hard to tell if anyone else out there is trying to keep up with them.
Tonight, and even tomorrow, let “Chelsea Dagger” play on repeat for hours on end. But if you take your finger off of the ‘repeat’ button for even one song, you’ll be glad you did.
by Kyle Schultz
Kyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and fell in love with the Blackhawks partially because “Chelsea Dagger” was their theme song. He’s followed The Fratellis since 2006 and obsesses over every line of every album, year after year like a zilch.
This is great news and a great breakdown of the band’s evolution. The Fratellis’ energy and eclecticism are why I love them and what set them apart from acts like Arctic Monkeys. I mean, just listen to the track “Lupe Brown,” which drifts in and out of like 4 genres of rock n’ roll. Talk about musical genius.
This article is perfect.Sums up the Fratellis as best anyone could. I have no shame in saying that I was one of the people who for ages simply listened to Costello Music instead of venturing to their other stuff. Eventually I gave Here We Stand a listen and later on We Need Medicine and each time I am glad I did. One of the beauties of The Fratellis is their ability to be soo good at so many different styles, tempos and genres. Hope the new album continues to impress!