In 2013, I was brand new to Chicago. It was a scary move, but I thought I had made it for the right reasons. My first job here was a painfully boring temp job that left me feeling remote and empty, even compared to my new friends who worked menial jobs. Feeling rejected from an avalanche of unanswered job applications, I would drive alone as the summer sun baked the feeling of regret into my head under the glare of expressway signs, and I wondered how it would ever get better.
When Saves The Day’s self-titled album released that fall, I was ready. I had backed its PledgeMusic campaign earlier that year, listening to the first single, “Ain’t No Kind of Love”, an energetic song about a breakup, with a pure hunger. The chorus was exactly what I was going through, as Chris Conley sang, “For right now, to now make it through the long day, is okay / Tomorrow, when anything can happen, try again”.
I truly anticipated an album from one of my first musical loves that would let me bask in my oncoming depression without guilt. Instead, Saves The Day unexpectedly lifted my spirits.
For almost 20 years, Chris Conley was a flag bearer of the emo movement. He never shied away from diving headfirst into the fragility of the human spirit. The three albums before Saves the Day were a trilogy that tackled depression and the depths it can actually go. His songwriting is morbid, but captivatingly catchy.
With the release of Saves The Day, an album bearing the name of the band itself, it felt like a shock to the system to discover that it was a positive album. Despite being released at the start of fall, it was a pure summer album, complete with cover art of a bright orange grapefruit. Similar to how In Reverie stunned fans with a change in style, Saves The Day was a full thematic shift. Instead of glorifying loneliness, Saves The Day is an extremely loose ‘concept’ album about two people falling in love through a chance encounter outside of a bar and reflecting on the good and bad of their lives after years of happy marriage.
Saves The Day was the first album by the band that wasn’t burdened with expectation. There just wasn’t a need to compete with the emo wave of the early 2000’s or attempt to recover ground after the backlash of a stylistic change. Instead, it used the harsh guitars of the Daybreak trilogy of albums to forge a new identity.
After 15 years, to hear a real love song from Conley felt extraordinarily out of place. This was someone who wrote songs like “The End” from Sound The Alarm (“I’m a danger to myself / Always blaming someone else”). But here he was, singing “Beyond All of Time”. It’s the first slower song on the record, with an enchanting chorus of, “Together forever tonight / I’ll always be right by your side, tonight / I love you beyond all of time”.
The true peak of the album is the dual lineup of “Verona” and “Ring Pop”. “Verona” tackles the struggles of a relationship. The verses hint at the fights and sacrifices a couple have to go through against harsh guitars and a depressing drum beat, only to launch into a gloriously hopeful chorus of, “After the end when he tells her he loves her / She promises not to let go / They hold on to hope”.
Immediately following this is “Ring Pop”, arguably the happiest pop punk song of all time. The song radiates with a sappy and childlike wonder of love, and caps off the theme of the record in an incredibly uplifting arc unlike anything else Saves The Day has ever written. “Born on opposite coasts for the two of us both / Knowing in 20 years we would not be alone / Might have made us a pair of zen-like two-year-olds / With a couple of ring pops, no need to propose”.
Saves The Day drastically helped curve my depression for some time as I struggled to adjust to living in Chicago. If Chris Conley, a poster child of dark songs, could find happiness, so could I. That is also when I finally noticed the last line of the chorus from “Ain’t No Kind of Love” that I had somehow missed on each listen since the song was released. Suddenly, the album made sense, as did my outlook on where I was going. “For right now, to now make it through the long day, is okay / Tomorrow, when anything can happen, try again / Until then keep on breathing / The love you long to know is within”.
by Kyle Schultz