10 Classic Music Videos Turning 10 in 2021

Welcome to year seven of my dumbest annual list. Honestly, this list usually happens during that stir crazy part of winter, just before the dawn of spring. I get drunk on a weekend, fire up YouTube, watch a bunch of music videos, and write about the experience. Unfortunately, the past year has provided WAY too much time for me to sit inside, drink too much, and watch things on my TV. It’s sad, really.

But hey, why not make the best of it? There were some really great videos from 2011 that I’d totally forgotten about. It was a year of transition in my life, marked by leaving some difficult things behind and moving forward to some really great things. Thus, I have a lot of fond memories associated with the music videos below. I hope you’ll enjoy them. And please share your favorites in the replies!

Eisley – “Smarter”

The Valley arrived four years after Eisley’s sophomore album Combinations but was very much worth the wait. On lead single “Smarter”, Sherri Dupree-Bemis finds herself leaving her own funeral to return to her waiting family/bandmates in an abandoned church while singing lines like, “If I sound angry, I’m sorry / This body can only cry for so long / And if you want to blame me, then go on / I’m smiling now ‘cause I’m smarter than you think”. It’s an angry, poignant, determined return for a band that had been through the ringer in more ways than one.

Yellowcard – “Hang You Up”

“Hang You Up” is such a great video because it’s a lovely song and the video could’ve been played straightforward, but instead, they leaned into comedy. Here, Yellowcard vocalist Ryan Key wanders the street before entering his job at a fast food restaurant, annoying strangers and patrons along the way with his singing. Top moments include a woman in the parking lot threatening, “I swear to god, if you open your mouth and start singing a pre-chorus…” and drummer LP handing Ryan his signature black leather jacket.

Blessthefall – “Promised Ones”

Look, I’m an unabashed blessthefall fan and there’s no way this video wasn’t making the cut. It combines the intro/opening track from Awakening into one video, which is cool, and it’s set in some sort of post-apocalyptic world or something? I think? I dunno. There are a lot of fired up blessthefall fans that are all dirty and they’re running, driving, and throwing molotov cocktails, baby. And I don’t blame them. That breakdown at 3:50 fucking RIPS.

Childish Gambino – “Heartbeat”

The ascent of Donald Glover into a cultural force happened fast and it’s still incredible to think about how it happened. From a musical perspective, a lot of the forward movement began with his debut album Camp, which features this gem. The video for “Heartbeat” includes two very cool things. 1. A bag of Flamin’ Hot Cheetos. 2. A really cool analogy about a slippery, messy relationship told through the very clear image of who’s in the driver’s seat.

Christina Perri – “Jar of Hearts”

I met my wife in the summer of 2011 and she was so into this song. And I got hooked, too. The video is one of those cool things where the color and choreography match the cold, dark feeling of the song in a way that’s just perfect. Perri’s raging bridge to the song is captured perfectly in the mid-street dance between the shitty dude character and the women that he seeks (and fails) to control.

Jay-Z and Kanye West – “Otis”

I just see this video and I’m taken back to the summer of 2011, which was a very good one for me. It was a celebration, just like this video. It reminds me of a time when we could get together and party. It reminds me of a time when Jay-Z and Kanye were like best buds and Kanye hadn’t made me sad. It reminds me of what a victory lap Watch the Throne was for hip hop and how good that felt. It just reminds me of good times, and that’s something I need right now.

The Wonder Years – “Came Out Swinging”

SPEAKING OF THE SUMMER OF 2011. This song is just a damn rager and a touchstone of when pop punk began its renaissance moment. The shots of The Wonder Years playing in that weird basement just says everything about that moment. It’s also a reminder that there was like a year where every scene band had light bulbs hanging in their video. But this was probably the best version of it because there’s like 20 bulbs and we all know that more bulbs = better.

Adele – “Rolling in the Deep”

It’s crazy how certain years in music are simply defined by the question, “Did Adele release an album that year?” And if the answer is yes, you kinda know what the conversation was about that year. And 21 dropping in 2011 was probably the biggest one. This song was fucking everywhere and the video is one of those kitchen sink videos. It has everything. A dude dancing with a sword, dishes smashing against a wall, a floor full of water glasses that ripple to the music, and Adele sitting on a chair. What more could you ask for?

Chiodos – “Notes in Constellations”

Ready for a really hot take? “Notes in Constellations” is the best Chiodos song. Yeah, you heard me. And the video makes it even better. It looks like it cost a lot, too. The video matches the song’s narrative about the passing of a loved one, with the bereaved carrying on with all of the memories. Brandon Bolmer’s voice is angelic on this track and he’s hot as hell in the video. Yeah, you heard me. Did I repeatedly watch this video at 2 a.m. in my apartment whilst crying many a night back in 2011? That’s none of your business, mister.

Katy Perry – “Last Friday Night (T.G.I.F.)”

There’s no way this video wasn’t making this list. It’s either the most notable or second most notable video of 2011, depending on how you feel about Rebecca Black’s “Friday”. But guess what. Just four months after that crazy Rebecca Black moment, Katy Perry GOT HER IN THIS VIDEO THAT IS ALSO ABOUT FRIDAY. I mean, damn. And then you’ve got Kenny G playing the sax solo on the roof at a house party. It’s all so dumb and crazy and silly, but this is kind of a moment that said, “Hey, if you’re gonna release a music video and have it actually matter, you have to do something big.” And that’s what Katy Perry did in the summer of 2011.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

Complicated Feelings on the 10th Anniversary of My Beautiful Dark Twisted Fantasy

It literally slipped my mind that My Beautiful Dark Twisted Fantasy was turning 10 years old until I saw people tweeting about it. And if you’ve followed this website since our early days, you’ll understand how strange that is. Up until around 2017, It’s All Dead’s side project was that of a Kanye West fanzine. And then, well…you know. You live long enough to see yourself become the villain or whatever.

I gritted my teeth as I listed My Beautiful Dark Twisted Fantasy at #1 on our 30 Best Albums of the Decade list last year. No matter how bad things have gotten, the fact remains. It’s one of those albums that I vividly remember where I was the first time I heard it. I literally remember my emotions hearing “All of the Lights”, “Monster”, and “Hell of a Life” for the first time. I remember how it was the only thing that mattered to me for a year, or at least until Watch the Throne dropped. It was the magnum opus from an artist that I revered more than anyone.

As a music critic, I’ve written and spoken more words about Kanye West than any other artist. I stopped a few years ago because it felt like there was nothing left to say. And it’s true. I have nothing new to add to the conversation on My Beautiful Dark Twisted Fantasy today. I listened to it again as recently as a few weeks ago. I’m torn between the memories of those feelings I felt and the feelings I feel now. It makes the music forever complicated and impossible to parse out.

This summer, I played The College Dropout for my daughter for the first time. She’s much too young to process anything about it, but I pondered aloud how I would talk about the album when she was old enough. Would I be able to articulate how important this artist was to me for a time – to my musical tastes, to my politics, to my life? Would I be able to explain why his seeming abandonment of all of the things that attracted me to him caused me such frustration and anger? Does it even matter?

My Beautiful Dark Twisted Fantasy is 10 years old, and it’s a shame we can’t celebrate it more. But honestly, we’ve talked about it enough. And there’s enough brilliant art in the world to put our energy into, and I can’t wait to talk about the great music this hell of a year has given us in a few weeks when we release our end-of-the-year lists. Until then, happy anniversary, I guess. Here’s a toast to the douchebag.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

10 Classic Music Videos Turning 10 in 2020

Every year, I use my love of music videos as an excuse to spend way too much time watching music videos from a decade prior and then making a dumb list of some of my favorites. This is that list! It’s crazy to think that breakthrough years for artists like Lady Gaga and Katy Perry are now a decade behind us. Or that 10 years ago, My Chemical Romance was still going strong with one of the most anticipated rock albums of the year.

Then again, time makes almost no sense these days. Seeing as many of us have plenty of times on our hands, I hope you’ll enjoy this list of some of my favorite music videos from 2010. If you feel so inclined, share some of your favorites in the replies!

Circa Survive – “Imaginary Enemy”

The lead single from Circa Survive’s 2010 masterpiece Blue Sky Noise was “Get Out”, but the most underrated track from the album is “Imaginary Enemy”. The video finds the band members running through dark forests and fields on the wrong side of a witch hunt. That imagery is kind of perfect for where the band found themselves around this time, at least until the end of the video when they’re beamed up into a spaceship. Then again, do we have proof this never happened?

Lady Gaga – “Alejandro”

By 2010, new Lady Gaga videos were appointment viewing, much like Madonna’s artistic dominance on MTV in the 80s. You can pick your poison in terms of the best video from The Fame Monster – I went with “Alejandro” for its sheer weirdness and beauty. Inspired by her admiration and love for her gay friends, the video is full of religious imagery and sexual energy. Was there anything more Gaga in 2010 than an AR-15 assault rifle bra?

Bring Me the Horizon – “It Never Ends”

Oh no! Oli Sykes is in the back of an ambulance barreling down the road, driven by a guy whose eyes are covered! And he’s also kinda floating around down the road like a ghost! And there are vampires? This video is weird, but this song is so good. 2010 saw Bring Me the Horizon make a huge artistic leap forward, spearheaded by “It Never Ends” and its manic video which is constantly trying to capture the energy of one of the year’s most aggressive metalcore tracks.

Pierce the Veil – “Caraphernelia”

The video for Pierce the Veil’s “Caraphernelia” serves as an early entry in the “we’re so consumed by our phones!” narrative. Nevertheless, nothing was quite as scene in 2010 as Vic Fuentes and company playing in front of the giant letters “PTV” set aflame. Cool crossover moment: A Day to Remember’s Jeremy McKinnon contributes his vocals in this video via a pay phone, the same manner in which Vic appears in A Day to Remember’s video for “All I Want”.

Kanye West featuring Jay-Z and Nicki Minaj – “Monster”

Remember back when Kanye was enjoyable and we really liked his music? Ah, those were the days. The video for “Monster” was never officially released, because it’s horror movie images were deemed a bit too far beyond the pale. But the video exists online and it’s…good, albeit very creepy. It’s also fun as hell to watch Nicki Minaj own her portion of the video, capping off the best rap verse of 2010.

A Day to Remember – “All I Want”

What Separates Me from You felt like A Day to Remember’s big moment when it dropped, highlighted by lead single “All I Want” – a signature ADTR track complete with a great breakdown and a killer chorus. The video serves as a scene who’s who, with nearly every band imaginable making an appearance. Ten years later, though, it’s pretty dang weird that it’s all dudes. You couldn’t find a single lady to include, guys? Come on.

Kesha – “Take it Off”

Kesha’s run of singles in 2010 rivals that of a few others on this list who had massive years (Lady Gaga and Katy Perry). While there may have been better Kesha singles, I’ve always been partial to “Take it Off” – a song with two different music videos. In this one, clearly the wildest of the two, Kesha and friends find themselves hitting up a rave in a motel pool, but oh wait, it’s actually on another planet, and oh wait, are they all dissolving into dust? Yes. yes, they are.

Travie McCoy featuring Bruno Mars – “Billionaire”

Y’all. In 2010, Travie McCoy of Gym Class Heroes broke out as a solo artist with one of the biggest hits of the year…featuring Bruno Mars. That was a thing that happened. The video finds the two rolling down the highway in a convertible and hitting up a beach and skate park before landing at a party with some cool kids. Travie may have never become a billionaire (I assume), but he definitely left his mark on 2010.

My Chemical Romance – “Na Na Na”

Was it really 10 years ago that My Chemical Romance began what we thought was their final chapter with Danger Days? This first video really set the tone for the band’s new aesthetic, set in a dystopian future with neon laser guns and bright hair colors. The band’s new look went right along with their new sound, telling the story of the Killjoys, a group of rogue do-gooders who take out some bad guys while saving a kid. For what it’s worth, red-hair Gerard Way looked really cool.

Katy Perry – “Teenage Dream”

Katy Perry dominated the airwaves in 2010 like few other have. Five singles from Teenage Dream hit number one on the charts, making her the first female artist to achieve that feat, and the first artist since Michael Jackson. In the video for the album’s title track, a summer joyride with her beau turns into passion. And then, as is customary, the couple follow it up with a dance party in a weird alley with a group of strangers. When in Rome.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

Podcast: The Best Albums of the 2010s

With the 2010s about to come to a close, we recently took on the task of ranking what we believe to be the Best 30 Albums of Decade. But of course, the written word can only convey so much about how we feel about these albums, so Kiel, Nadia and Kyle hopped on a podcast to break down their choices and discuss the sounds that defined the decade. The trio discuss their parameters for making the list and share the albums that just missed the cut. They also debate between albums from The Wonder Years, Paramore and Kendrick Lamar that could have made the list instead of the actual choices and give a nod to a few bands that made a splash in the 2010s but didn’t land in the top 30. Take a listen!

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What is your favorite album of the decade? Share in the replies!

Posted by Kiel Hauck

The 30 Best Albums of the Decade: 1-10

Check out part one and part two of our Best Albums of the Decade feature.

10. Kacey Musgraves – Golden Hour

If the prevailing sentiment of the last half of this decade has been one of dread, Kacey Musgraves certainly delivered a dose of warmth and comfort at just the right time. Golden Hour captures the confessional, revealing songwriting that only the best country albums seem to harness. Musgraves looks for, and actually finds, beauty in common places, reminding us that the world around us is still full of magic and wonder. She also makes a clear point to bend the rules set by country music gatekeepers, effectively opening the door to those that have traditionally been uninvited. In doing so, she created an album with a heartbeat designed to comfort all who come close. – Kiel Hauck

9. Lorde – Melodrama

Lorde has been one of the defining artists of the past decade. She brought a refresher to pop music with 2013’s Pure Heroine, but her showstopper is 2017’s Melodrama. Written alongside her friend Jack Antonoff, the album is the about the woes of the end of adolescence. It’s wrapped up into a beautiful, cohesive experience and was absolutely robbed of Album of the Year at the Grammys. And that’s the tea. – Nadia Paiva

8. Aaron West and the Roaring Twenties – We Don’t Have Each Other

Aaron West is a truly unique artist. The autobiographical album, We Don’t Have Each Other traces the course of a man breaking in every conceivable way until the only recourse is to pick himself up. Throughout the album, Dan Campbell’s attention to detail is astounding. Steeped in Springsteen-esque Americana, the album plays like a living novel to the point where Aaron feels almost too real. We Don’t Have Each Other is an insanely depressing album, but ends with hope for redemption. Accepting his own faults and ready to finally fight back, We Don’t Have Each Other explores the extremes of humanity, and the will to make things right. – Kyle Schultz

7. Kendrick Lamar – To Pimp a Butterfly

No album this decade captured the state of America so poignantly, purposefully and powerfully as To Pimp a Butterfly. During a three-album stretch that simply feels peerless, it’s hard to call the album Kendrick Lamar’s masterpiece, but you wouldn’t be wrong to do so. To Pimp weaves jazz, soul and hip hop together, winding us through the black experience and shining a piercing light on our country’s deepest flaws and scars. It’s a deep, spellbinding work that can’t be unpacked in one sitting, but has moments of obvious illumination like “Alright” – the album’s centerpiece and a protest anthem for the most important movement of the decade. – KH

6. Beyoncé – Lemonade

The 2010s were a decade of basically pitting artists against each other with who could release an album in the most viral way. Beyoncé pioneered this with not one, but two surprise album releases, including Lemonade in 2016. The album revolves around the concept of Jay-Z’s infidelity and I think that was what made it stick with us. While the dramatic delivery of the album certainly contributes to its inclusion here, it’s the expression of feminine beauty, grace and empowerment that has made Lemonade stay in our minds. – NP

5. Against Me – Transgender Dysphoria Blues

Transgender Dysphoria Blues is a groundbreaking album in many ways. It pulls no punches in terms of sound or language, and dives face-first into the material to have the most impact. While Transgender Dysphoria Blues harnesses a sound reminiscent of the band’s earlier records, it sets itselt apart in just how brutal of a concept the album is to people who don’t understand the struggle of someone preparing for or going through body dysphoria. The album is astonishing in many ways and it leaves a legacy as one of the first true trans-positive records in punk rock. That is does so without blinking, hiding a single hateful emotion, or sidestepping painful language is to be admired. – KS

4. Carly Rae Jepsen – E-MO-TION

The greatest and most dazzling pop album of the 2010s came from someone who had embodied the fleeting nature of pop stardom early in the decade. Instead of chasing the rush of “Call Me Maybe”, Carly Rae Jepsen seized a place as an unexpected indie darling with Emotion and ushered in a new wave of 80s-inspiration that infected nearly every pop release that came after it. Aside from its delightful sonic execution, Jepsen succeeds throughout Emotion by being relatable, without a hint of irony. From the blissful shoulder-brushing of “Boy Problems” to the sultry desire of “Run Away with Me”, Jepsen runs the gamut of relationship experiences, transforming herself into the best friend with whom everyone can share their secrets. – KH

3. The 1975 – A Brief Inquiry Into Online Relationships

The 1975 have seamlessly combined electro pop with moody alternative rock through their past few albums, but with their latest, A Brief Inquiry Into Online Relationships, they’ve taken a different lyrical path. Gone are their days of singing about partying and recreational drug use, and here to stay are heavier songs about the decline of humanity, climate change and the toll the aforementioned drug use has on life. The 1975 are obsessed with bettering their audience’s critical thinking skills, and that’s something that is desperately needed in today’s world. – NP

2. The Wonder Years – Suburbia I’ve Given You All and Now I’m Nothing

During the first part of the decade, The Wonder Years somehow tapped into the exact emotions that seemingly an entire generation were feeling in unison. Suburbia I’ve Given You All and Now I’m Nothing perfectly captured the sensations of fear, hope and wonder of finding yourself at the crossroads of adulthood and forging your own destiny. 

Suburbia taps into the loneliness of leaving the comfort of college, the taxing labor of minimum wage jobs, and the nostalgia of pure joy found with old friends. Although The Wonder Years initially gained attention for music that looked at the world in a positive light (The Upsides), Suburbia didn’t try to hide itself behind this monicker. Instead, the album took a real look at struggling to find your place in a world that seemed brand new to a young adult. The warcry lyrics of, “It’s not about forcing happiness / It’s about not letting sadness win” made the band eternal. 

Suburbia somehow pays homage to pop punk throughout the last decade while forging its own identity. It showed us, for the first time, who The Wonder Years were and set the bar higher for their peers. – KS

1. Kanye West – My Beautiful Dark Twisted Fantasy

The best album of the 2010s not only laid the foundation for everything that was to follow this decade, it completely re-contextualized its creator and led us to question our own presumptions and beliefs. At its core, My Beautiful Dark Twisted Fantasy is rumination on fame and celebrity, scratching and gnawing at the grim truths often covered by limelight. Track after track, Kanye West tunnels deeper into his own psyche, leaving no stone unturned and no train of thought unexplored, no matter how repulsive or gaudy it may be. Does he want us to lean closer or run away in distress? West seems to leave the choice to us.

From a strictly musical standpoint, Fantasy is a kitchen sink album in which every detail has been painstakingly placed and scrutinized over. The album is as grandiose as any hip hop or pop release in memory, and is specifically built to tower to a height of instability. This fact seems negligently bold when one remembers what was at stake. After a year of exile, West’s public standing was at an all time low and it seemed wholly possible that his career as a respected artist was hanging in the balance.

But that’s what makes Kanye West the defining celebrity of our time, for better or for worse. His nagging insistence on chipping away at his own essence and persona, leaning into his worst tendencies as a heel, have led to both demise and nirvana. It’s that ugly predisposition that led to the creation of this masterpiece and defined a decade of artistic explorations into dark recesses and uncomfortable introspection. – KH

Posted by Kiel Hauck

Podcast: The Best Debut Albums of the Past 50 Years with Evan Sawdey

Music critic Evan Sawdey makes his return to the It’s All Dead podcast to discuss a recent feature for Yardbarker in which he named the best debut albums of the past 50 years, by year. During the conversation, Kiel and Evan debate the merits of Britney Spears’ …Baby One More Time, Arcade Fire’s Funeral, Linkin Park’s Hybrid Theory and many more classic debuts. Evan also discusses the power of a debut album and how it can set the stage for what’s to come in an artistic career. Listen in!

Subscribe to our podcast here.

What are some of your all time favorite debut albums? Share in the replies!

Posted by Kiel Hauck

Most Anticipated of 2019: #5 Taylor Swift Leaves Her Reputation Behind

Though Taylor Swift is one of the biggest names in the world, Reputation left many wanting. Swift claims that each new album is used to document a new chapter of her life. Although Reputation is barely a year old, this chapter seems to be closed after an extremely popular worldwide tour and Netflix Special.

There are already hints that Swift is already hard at work on her next album and there’s no reason to think it will be anything less than a stellar deep dive into the pop ether. Since most of her albums come after about two years, it’s par for the course to expect her seventh album to drop before the end of 2019.

After defending her reputation against feuds with Kanye West, Katy Perry, and public perception, this next chapter is looking to pick of the pieces of what’s left and run free.

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and could not be more excited for new music to tickle his ears in 2019.

Podcast: Talking Lauryn Hill, Frank Ocean with Cole Cuchna of Dissect

As The Miseducation of Lauryn Hill turns 20, Cole Cuchna has launched a new mini-series on the classic album for his massively successful Dissect podcast. Cuchna joins Kiel Hauck to reflect on the album and its influence before delving into the work of Frank Ocean, as covered in season 3 of Dissect. Cuchna also shares details about his process when examining music and discusses how empathy continues to play a key role in his work. The two also converse on the future of podcasting and how the medium as continued to evolve in recent years, attracting even more invested listeners. Listen in!

Subscribe to our podcast here.

Posted by Kiel Hauck

Reflecting On: Lil Wayne – Tha Carter III

Tha Carter III is truly a hip hop time capsule, memorializing extreme highs and lows of the genre. The sixth studio album from Lil Wayne would prove to be his best, showcasing the lyrical acrobatics that made him one of the most revered rappers of a generation. Unfortunately, it also displays an unmistakable misogyny and homophobia that plagued the genre for decades.

One of the greatest albums of our lifetime also serves as a stark reminder of how far we’ve come in just 10 short years, and how much further we have left to go.

You can buy Tha Carter III on Apple Music.

Tha Carter III is littered with hits and distinctive moments that make it impossible to forget, but perhaps the reason the music still stands so vivid is because of Lil Wayne himself. Coming from the projects of New Orleans, Wayne began his path to stardom at a young age as a part of Cash Money Records’ rise to power in the late 90s. In the matter of a decade, Wayne had blossomed into a star full of personality and humor, reaching the peak of the cultural zeitgeist by the time of the album’s release. By the summer of 2008, Lil Wayne was larger than life.

It’s hard to imagine most artists cashing in on that moment as firmly as Wayne did with Tha Carter III. With a running time of over 76 minutes, the album is a behemoth full of moving parts and voices, but at its core, it’s a celebration. The production is slick, the stylized autotuned vocals drip with bravado, and Wayne’s legendary wordplay is on full display, even if the constant double entendres begin to wear you thin.

No song on the album captures this motif better than “A Milli”, a track about nothing in particular that astounded upon first listen and still seems impossible to comprehend. Rumored to have been recorded in one take as a freestyle, the song quickly took on a life of its own – too winding and crass for radio but a track that you had to share with everyone you knew the moment you heard it. Wayne’s punchline of, “I can turn a crack rock into a mountain” near the song’s end still causes my hands to raise involuntarily just as the ghastly Dennis Rodman line causes me to cringe.

Even with its bloated length, Tha Carter III contains enough entertainment to make the time pass quickly. From the fantastic opening of “Mr. Carter” with Jay-Z to the unforgettable beat of “Mrs. Officer”, the album’s standouts are peppered in between hidden gems. The production on “Lollipop” and “Got Money” is appropriately over the top and drenched in autotune, serving as a glimpse into the world of pop rap in the late aughts. When Wayne manages to slur out on the latter, “I’m a Great Dane, I wear eight chains / I’m in so much ice, they yell, ‘Skate, Wayne!’” it’s an outlandish reminder of the hilariously hypnotic grip he held on listeners with such ease.

In hindsight, Tha Carter III and Lil Wayne’s own brand of over-the-top revelry arrived just in the nick of time. Later that year, 808s & Heartbreak would turn the genre on a dime, ushering in a new era of emotive, existential hip hop, driven by minimalism and dark tones that lasted until Kanye himself teamed up with Jay-Z to Watch the Throne. Perhaps it makes sense that Wayne could never follow that thread, forever cursed with a million dollar smile and a penchant for a life lived at 100.

Instead, he continues as a cultural icon and a living example of a rapper existent on both sides of hip hop’s social journey. While Wayne could never fully deliver an acclaimed follow-up, maybe it wasn’t necessary. Even amidst its growing pains, Tha Carter III helped usher in a new awareness and interest in hip hop on a mass scale, evolving Lil Wayne into a multi-faceted, bonafide star in the process.

How we’ll reflect on the more difficult moments of albums like Tha Carter III, or even albums with a more recent release date, in another 10 years’ time remains to be seen. For now, we learn while we listen and continue to ask questions of the art we love.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Podcast: Ye, Yeezus, and the Problem of Kanye West

Resident hip hop aficionado Brock Benefiel stops by It’s All Dead to chat with Kiel Hauck about Ye, the latest release from Kanye West. The two discuss their problems with the uneven album, the frustration that comes with Kanye fandom, and what to expect going forward. They also reflect on the five year anniversary of Yeezus and how the album has both held up and proven to be problematic before touching base about Daytona, the new release from Pusha T. Listen in!

Subscribe to our podcast here.

What are your feelings on Ye? Share in the replies!

Posted by Kiel Hauck