A Night with Marina on the Love and Fear Tour

Seeing Marina live has been on my bucket list since I started listening to Electra Heart. I have always loved her cinematic approach to music and if you watch any of her music videos, you know she likes to go big or go home. So naturally, when she announced the accompanying tour to her album Love + Fear, I knew I had to be there. I know I say that about every show I go to, but after years of wondering whether I would ever get to see her perform, I really did have to be there.

She brought Daya as her opener, but we got stuck in traffic and only got to hear her play her last song, the song she did with The Chainsmokers, “Don’t Let Me Down”. You could tell that she had done a good job of opening, because everyone was already dancing and having a great time. I was bummed to miss her set.

Marina came on at about 8:30 p.m. and opened with the lead single from Love + Fear, “Handmade Heaven”. She was accompanied by a team of four dancers/background singers and a drummer. She then played “Hollywood” from her first album, The Family Jewels. She split the show in half, the Love half and the Fear half. She chose other songs from her discography that fit into each section and it was pretty cool to think about her sitting and planning her tour, picking and choosing songs that have connected throughout her whole career. 

She played an acoustic version of “Teen Idle” that I mention not only because she played it beautifully, but because of that particular song from Electra Heart. It’s one of the darker songs on the album but she hid that behind a lot of synth and effects. When it was so stripped back, though, it really drew attention to the despair in the lyrics. I think it was a testament of how she’s grown since 2012. Even though Electra Heart was a character she created, Marina’s gone through a lot in her career. She’s dealt with a lot of personal things in the spotlight, and it’s no doubt that she stepped back from music to deal with those things privately. So to hear “Teen Idle” so bare like that was really special. She clearly doesn’t relish in those lyrics anymore, and she doesn’t want us relishing in them either.

All in all, I would absolutely follow Marina through this tour. Her use of dance was a lovely choice, and the setlist couldn’t have been more perfect. From “I Am Not a Robot” to the unreleased track “I’m Not Hungry Anymore”, she really gave everyone something to look forward to. It was a pretty chilly night in Boston, but Marina’s high energy show made us all forget about that for a while.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Review: Marina – FEAR

You can read our review of the first half of LOVE + FEAR here.

We’ve gotten the first half of Marina’s album LOVE + FEAR, which she released on April 4th. FEAR is the second half, and it’s finally here. A whole 16 tracks from Marina Diamandis to savor. She released snippets of “Life Is Strange”, ”Soft to be Strong” and “No More Suckers” last week via her Instagram, but we received no official singles from the FEAR portion.

You can buy or stream LOVE + FEAR on Apple Music.

With those statistics out of the way, let’s get into FEAR. We all went into LOVE knowing pretty much what to expect. We had four singles and, arguably, a lot more commentary from Marina herself regarding the album. Up until a few days ago, we had no reference point for what angle FEAR would come from, other than a title and a tracklist. I love both LOVE and FEAR pretty equally so far, but I think FEAR is the more surprising of the two.

When you listen to LOVE, it’s immediately clear what we’re walking into. That seemed to be the case with FEAR, too, judging by the first track “Believe in Love”. It sounds exactly like a song titled “Believe in Love” should sound right up until the bridge, which is where I also feel some of the title inspiration came from. She sings, “Shouldn’t take fear so seriously” – a total turnaround from what I assumed the album would be thematically. We celebrated love on LOVE, but we’re celebrating a lack of fear on FEAR.

I talked a bit in my first review about how relatable Marina’s lyricism is and FEAR is no different. We should be able to celebrate overcoming fear and doubt, and Marina has given us art that allows us to indulge in that. She writes a lot about society and she acknowledges that it’s fine to be fearful, as long as we don’t set up shop in that state of mind. I feel like that’s why she released LOVE alongside FEAR. She could’ve very easily released only one of the two and called it a day, but she wanted to draw that parallel. In this way, she’s like no other pop artist around.

If we’re keeping with the recent music news, we’ve got the new Taylor Swift song that’s literally called “ME!” and it’s about loving yourself and all that jazz. That’s all fine and good, and I’m not trying to dunk on T-Swift, but as far as modern pop goes, I feel like Marina is one of the only artists who intentionally turns the microscope back onto the world around us. She knows that individuals all have a part to play in making the world turn, and she’s not shy about reminding her listeners of that.

Stand out tracks for me are definitely “Karma” for it’s fun vibe (as well as her trademark ‘talk while you sing’ deal), “Emotional Machine” for the lyrical rawness and (again!) relatability, and “Soft to Be Strong” because of how it ends the album so poignantly. As you all know I pay close attention to how an album flows, and the transition from the end of “Soft to Be Strong” back into “Handmade Heaven” is *chef’s kiss*.

So suffice it to say, I love Marina’s new album in its entirety. The production value perfectly encapsulates what Marina has done before but brings a new, refreshed spin on it. She’s only grown stronger lyrically and I’m so glad she’s back with us. LOVE + FEAR is another beautiful testament to Marina Diamandis’ genius.

4.5/5

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Review: Marina – LOVE

UPDATE: You can read our review of FEAR here.

Last year, I talked a little bit in an article about chasing away winter about my intense love for Marina and the Diamonds. Last year, we had no clue that something was going on with Marina Diamandis, as she had been silent since 2015’s Froot. In the fall though, she released a song with Clean Bandit called “Baby” (which is an absolute bop) and we all noticed something. We had Marina back, but where were her Diamonds? Well, she took the opportunity of three years away to rebrand herself, and now she’s only Marina. What hasn’t changed, though, is the heart and soul she puts into the music she creates.

You can buy or stream LOVE on Apple Music.

Her latest offering, LOVE is part one of a two part album, LOVE + FEAR. She gave no intention that she was going to release them separately, but she tweeted on April 4th that, “[She] created ‘LOVE + FEAR’ as 2 separate records to be listened to individually. I’m releasing ‘LOVE’ today so you can listen to in full before we move onto ‘FEAR’.” So we got four singles (the first four tracks in the listing) and then four totally new tracks in this first wave of new Marina music, and then we’ll get another eight on April 26th.

Each track on the album seems to come from a very personal place for Marina. She’s coming off of a pretty long hiatus, and adding that to the fact that her reasoning for taking a break was the fact that she felt like she was losing herself amidst the touring and constant production, it’s safe to say that she would want to be intentional with the first project she releases. She’s been intentional with every release, but for some reason this album feels bigger than anything she’s embarked on before.

When she released “Baby” with Clean Bandit, I assumed it was just a one-off. Only when I saw the tracklisting did I realise she would use it for the album. I feel like she recorded this as a way to let off some steam. The album is pretty heavy from a lyrical perspective, and “Baby” is a good way to remind us that Marina’s here because she loves making music and wants it to be an enjoyable experience for everyone involved – especially herself.

Though I didn’t know it then, Marina would become a staple in my queue because of the activism she aims to spark. She’s not crazy and totally in your face, but I’ve always seen her music as more than just bubblegum pop. I could name a track from each of her albums that inspires thought from the listener. For LOVE, I would say that there are several. “Enjoy Your Life” is about being mindful and positive even when things seem mundane, “True” is about self esteem, and “To Be Human” is (in my opinion) a companion track to “Savages” from Froot.

If this is LOVE, I can only wonder what we can expect from FEAR. Even when Marina sings about the harder part of life, she wraps it in a musical soundscape that draws us together, making us enjoy using these finer processes of thought. We all see how messed up the world can be, and I believe Marina’s message upon her return is banding together and figuring out how to change. It can start with only one person, and that’s something to be celebrated.

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.