In just a few short years, Marina Diamandis has completely reinvented herself. Gone are the days of alter egos and hiding her personality behind characters and personifications. With 2019’s Love + Fear, it seemed like Marina was regressing as an artist, with stripped back, generic pop. But with her latest, Ancient Dreams In a Modern Land, she is showing us that she was simply finding a new footing.
From a visual standpoint this album seems to be heavily influenced by the futuristic style of the Mod 60s. Her choreography is inspired by Bob Fosse and her clothes are inspired by Twiggy. But for an album that looks forward to a hypothetical period of positive growth and improvement in society, it seems a little bit counterintuitive. She wants to go back to “simpler times,” but she wants to take too many of today’s ideas with her. Her idealistic luggage is too heavy for the plane.
The lead single from the album, “Man’s World”, was a last minute contender for my 2020 song of the year. It was mournful and hopeful all at the same time, and it not only gave us a great taste of what Marina had up her sleeves, but it also was a stark reminder of the things we need to work on. She sings, “If you have a mother, daughter or a friend / Maybe it is time / Time you comprehend / The world that you live in / Ain’t the same one as them / So don’t punish me / Because I’m not a man”.
And that vein runs all through this piece. It’s a work inspired by female empowerment the likes I’ve never seen before. I’m infinitely grateful for it. It’s not in your face or bashing women who make choices that may seem “anti-feminist.” It’s a celebration of femininity as a whole.
From a technical standpoint, I thought it was too short. I know she has more to say that maybe she’s holding back for future projects, but this one seems just a tad incomplete at a 36 minute run time. A highlight for me is the final single she released, “Venus Fly Trap”, a song straight from the discotheque about being your true self.
All in all, this is an incredible offering from Marina, and it feels familiar. She has drawn from all of her past eras to give us a project that is completely “her.” And that’s what empowerment is all about.
by Nadia Alves
Nadia Alves has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.