10 Perfect Albums for Summer Road Trips

Believe it or not, there used to be a day when you didn’t have access to the entire library of recorded music when you got into your car. Long road trips with friends required preparation in the form of CD collections and discussions about which albums got first dibs in the stereo.

While it’s easier than ever to create endless playlists or simply jump tracks during long rides, there’s still something to be said for albums that can play front to back while you cruise down the highway and serve as the perfect soundtrack to life on the road. With summer in full swing, we’ve compiled a list of 10 albums to consider packing (or queueing up) before you take your next sun-drenched road trip with your friends.

Cartel – Chroma

Rule #1 for road trip albums: Every song has to be a banger. Even 14 years after its release, Chroma is fire from front to back and it’s incredibly easy to sing along to every song. Will Pugh’s voice was made for summer, and so was this album.

Key tracks: “Say Anything (Else)”, “If I Fail”

Underoath – They’re Only Chasing Safety

This is a quintessential summertime album for me and one that was the soundtrack to more road trips than I can count from 2004-06. While it’s a heavy album to be sure, there’s enough melody and pop elements crammed in courtesy of Aaron Gillespie and company that this album was made to be heard with the windows down.

Key tracks: “A Boy Brushed Red, Living in Black and White”, “Reinventing Your Exit”

P.O.S. – Never Better

P.O.S. stole the show at Warped Tour 2009 thanks to the catchiness of his breakthrough album, Never Better. An indie hip hop hidden gem, there’s tracks to nod your head to, wild out to, and rap along with your friends to. It’s a gold mine of catchy (and introspective) hits.

Key tracks: “Let it Rattle”, “Savion Glover”

Boys Like Girls – Boys Like Girls

The self-titled debut from Boys Like Girls was peak scene pop punk, masterfully produced to appeal to just about anyone. Every song could serve as a single and it’s impossible to turn the volume down anytime Martin Johnson’s voice hits those high notes.

Key tracks: “The Great Escape”, “Heels Over Head”

Paramore – Riot!

Riot! is truly one of the greatest summer pop punk albums of all time, hitting all of the high notes that a road trip album requires. Hayley Williams comes into her own as a vocalist as the band writes their catchiest and most infectious songs of their young career.

Key tracks: “That’s What You Get”, “Crushcrushcrush”

Mayday Parade – A Lesson in Romantics

Bonus points for road trip soundtracks go to any bands that utilize two singers, allowing travel buddies to trade off on vocals. A Lesson in Romantics is a perfect blend of summer anthems and memorable harmonies from Derek Sanders and Jason Lancaster.

Key tracks: “Jersey”, “Jamie All Over”

A Day to Remember – Homesick

Homesick is the album that took A Day to Remember to another level and it’s also their most instantly arresting version of easy-core that allows for head banging sessions in the car or embarrassingly loud sing-a-longs for everyone on the trip.

Key tracks: “My Life for Hire”, “Mr. Highway’s Thinking About the End”

Gym Class Heroes – As Cruel as School Children

In 2006, Gym Class Heroes were on top of the world thanks to a collection of hit songs from As Cruel as School Children. Lead man Travie McCoy is able to drop a hot verse but also able to flex his songwriting abilities in unexpected, pop-centric ways. This album is just plain fun.

Key tracks: “Shoot Down the Stars”, “Clothes Off!”

Katy Perry – Teenage Dream

Sometimes after all the whining and screaming, you need to cleanse the palate with a tried-and-true pop record. Teenage Dream is hit after hit after hit, and they’re all fun to sing along to. If anyone on the car pretends they don’t know the words…well…they’re lying.

Key tracks: “Last Friday Night (T.G.I.F.)”, “E.T.”

Yellowcard – Ocean Avenue

In all honesty, there may not be a better pop punk road trip record than Ocean Avenue, an album that bleeds summer from every corner. It’s catchy, nostalgic, energetic and delightful in pretty much every way. Plus, if you let the album repeat after it finishes, no one will complain.

Key tracks: “Breathing”, “Ocean Avenue”, all of them.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

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10 Classic Music Videos Turning 10 in 2019

One of my favorite late-night weekend activities is pouring myself (another) drink and going down memory lane on YouTube, watching some of my favorite music videos. It’s probably no surprise that it’s around this time every year that I decide to compile a list of music videos turning 10 years old – it’s bitter cold outside and it’s all too easy to curl up under a blanket on the couch and play them endlessly.

Interestingly enough, 2009 was filled with music videos from artists that were coming into their own: Taylor Swift, Drake, Lady Gaga and more. Their videos also seemed to speak to something deeper within the artists themselves. Let’s kick back and drift back in time to enjoy some of the best videos that 2009 had to offer.

Taylor Swift – “You Belong with Me”

While the public at large often associates Taylor Swift’s crossover smash “You Belong with Me” with Kanye West’s acceptance speech interruption at the 2009 MTV Video Music Awards, the video itself gives us an early glimpse of Swift’s duality. Playing both the protagonist and antagonist – nerdy bookworm and preppy cheerleader – the video’s narrative bends in the direction of her innocent side. It’s fascinating that after a decade-long evolution, Swift’s current work finds her exploring the other end of the spectrum.

Boys Like Girls – “Love Drunk”

As an unabashed fan of Boys Like Girls’ self-titled debut album, I was a little more than excited for their follow up in 2009. Love Drunk took all of the saccharine melody from the band’s debut and infused it pulsing beats to form a blend of emo power pop. The video for the album’s first single finds the band performing at an arcade as a bunch of guys awkwardly attempt to win the affections of a young lady. I guess the moral of the story is…that band dudes always get the girl? Or something?

Paramore – “Brick by Boring Brick”

As brand new eyes turns 10 years old, I felt it my obligation to give time of day to the album’s most overlooked single. Perhaps the most divisive track on the album, the video for “Brick by Boring Brick” captures the fairy tale juxtaposition of the song perfectly. Near the end of the video, a glowing Hayley Williams watches Josh Farro dig what can only be understood as the grave for the pre-2010’s era of Paramore. Kinda sad, right?

Drake, Kanye West, Lil Wayne and Eminem – “Forever”

While 2009 was a bit of an odd year for hip hop, it’s remembered best for the arrival of Drake. Here he amazingly shares the stage with three hip hop heavyweights in a video that follows the rise of LeBron James from young basketball prodigy to NBA superstar. Has anyone ever called their shot better? Ten years later, Drake is still one of the most powerful forces in music.

Ke$ha – “Tik Tok”

Speaking of introductions, Kesha’s “Tik Tok” was the perfect primer for one of 2009’s polarizing new pop figures and is still just as much fun as it was 10 years ago. After waking up in the bathtub of a vanilla suburban family, Kesha treks out the door to hop on a golden bike, complimented by an American flag. By the end of the video, there’s glitter everywhere. At some point, you have to throw caution to the wind and enjoy the ride.

Lady Gaga – “Bad Romance”

Lady Gaga’s music video for “Bad Romance” is still perfectly weird, featuring wacky costumes, awkward dance moves, people crawling out of futuristic pods and a group of supermodels trying to sell her to the Russian mafia. As wonderful as “A Star is Born”-era Gaga has been to witness, it’s hard not to long for those early days when literally everything she touched was off-the-wall bananas.

Taking Back Sunday – “Sink Into Me”

The dirty little secret about Taking Back Sunday’s most divisive album is that it’s actually pretty good and holds up well 10 years later. The lead single from 2009’s New Again was “Sink Into Me”, which featured a music video of Adam Lazzara and the boys sinking into…a tar pit? It’s messy, but it sure looks like they’re having a good time.

The Devil Wears Prada – “Danger: Wildman”

“I know a ghost!” That opening cry from The Devil Wears Prada frontman Mike Hranica on “Danger: Wildman” has become a late aughts metalcore highlight, as has his missing-tooth appearance in this dark video filled with skeletons and a mysterious bearded man. This track still goes hard and it’s delightful to think about how far this band had come by their big moment in the spotlight in 2009.

Owl City – “Fireflies”

Can you believe it’s been 10 years since Adam Young, better known as Owl City, pressed a button on his keyboard marked “Magic” and brought the toys and objects in his bedroom alive? Me neither. It’s still amazing to think about what a phenomenon this song became, and I can’t help but smile when watching the video now. I’m especially fond of the monkey playing the cymbals and the tiny seal on the turntable.

Mayday Parade – “The Silence”

Here’s a bit of trivia you maybe didn’t know: “The Silence” was originally written to be included on the “New Moon” soundtrack. While the song failed to go down in Twilight lore, it’s still works as a pretty great inclusion on Mayday Parade’s sophomore effort (and major label debut) Anywhere But Here. The video is full of color and slo-mo shots of hot air balloons. Neat, huh?

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

What Makes for a Great Autumn Album?

My favorite season has officially arrived. On a crisp Sunday morning, I’ve found myself cooking pumpkin pancakes in the kitchen, sipping my coffee as cool air comes in through the open window. Yes, I’m “that” guy. But perhaps my favorite part of the morning is listening to the sounds of one of my favorite fall albums: Copeland’s In Motion spins on the turntable as I cook.

But what does In Motion have to do with autumn? This is the question I’ve been seeking to answer ever since someone put me on the spot a few weeks ago, asking me what I mean when I talk about my favorite fall albums. I realized that I didn’t have a good, succinct answer. Maybe there wasn’t one.

Listen to our podcast: The Best Music of Autumn

I’m convinced that this idea is extremely subjective and differs from person to person, but nevertheless, in order to at least answer for myself, I’ve been able to define four variables that impact my tendency to listen to an album when the leaves turn and the temperature drops. Take a look below and feel free to share your thoughts in the replies!

When it Was Released

This one is obvious. I’m drawn to dates and anniversaries, so if an album came out a certain time of year, I’m inclined to revisit it during that timeframe. A great example is Mayday Parade’s self-titled release, which dropped in October of 2011. The album really doesn’t meet any of the other criteria outlined below, but every fall, it’s one of the first albums I reach for.

When I listen to Mayday Parade, it takes me back to the early dating days with my wife and how often I played the album on the hour-long car ride to her home in Bloomington, Indiana, during our first fall together.

Other times, release dates align perfectly with the sound of an album. My Chemical Romance’s The Black Parade arrived a week before Halloween in 2006 and is almost custom-made for the season with its themes of death and imagery of hellish characters. It’s now my go-to album to spin during our annual pumpkin carving.

How it Sounds

We now move to a much more arbitrary point, but I would argue that some songs and albums just “sound” like the season. Here, I think of cool, sometimes dark, music that reminds me of shorter days and how I feel when I see my breath in the air early in the morning.

A few albums that come to mind here are Armor For Sleep’s Dream to Make Believe and Chiodos’ Bone Palace Ballet. Armor For Sleep is a summer band for many, and their second album, What to Do When You Are Dead, is a warm-weather staple of mine, but Dream to Make Believe has a raw, harsh quality that sets it apart. A track like “Frost and Front Steps” is nearly impossible not to associate with the season.

Likewise, Bone Palace Ballet, with its crunching guitars and theatrics reminds me of the looming darkness of the season, checking the boxes of both sound and lyrics, with its eerie and spooky themes.

What it Has to Say

Speaking of lyrics, perhaps the most obvious delineator of an autumn album is what it has to say. Here, I think of albums or songs that call attention to the most visual and visceral aspects of the season. While many equate Cartel’s Chroma to summer, it’s a distinctly transition-to-fall album for me, especially with a track like “Luckie St.” serving as an autumn anthem.

With Halloween being my favorite holiday, many albums qualify simply for their creepy subject matter. Think My Chemical Romance’s Three Cheers for Sweet Revenge or The Devil Wears Prada’s Zombie EP, along with several tracks from Showbread’s first two albums (“Dead By Dawn” from their debut is a Halloween staple of mine).

Not to be outdone, He is Legend has their own history of horror-filled tales. Suck out the Poison is a go-to for me this time of year, due both to its release date nostalgia (released October, 2006), and because of its subject matter, with songs like “Attack of the Dungeon Witch” leading the way.

How it Looks

Anyone who knows me knows of my insistence that the visual presentation of an album matters. My vinyl collection started years ago as a way to still admire the artwork of my favorite albums, even as our transition to streaming made full art and liner notes less accessible and robust. Thus, albums that incorporate autumn colors and visuals can’t be forgotten when determining their seasonal placement.

All of this brings us back to Copeland, whose album In Motion features yellow/brown leaves on its cover and captures the colors of fall throughout the album artwork. Likewise, Anberlin’s debut Blueprints for the Black Market, with its reddish brown tones, harkens of late autumn, capped off with cool-sounding guitars and references to cold.

So there you have it. It’s not a science, but there are certainly real factors that determine my own interest in an album by season, particularly when autumn rolls around. Here’s to another season of late nights by the campfire, horror movie sofa sessions, and pumpkin pancake cooking with the sounds of fall.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Raise Your Voice: Warped Tour 2018 Review and Photo Gallery

Walking through the crowded grounds of Ruoff Home Mortgage Music Center in Noblesville, Indiana, on a hot July day, it’s nearly impossible not to reflect on Warped Tours past. It was here, nine years ago, where I baked in the sun watching bands like Saosin, Underoath, and Chiodos while screaming along to every word. A year prior in Cincinnati, I stood on the main stage watching Norma Jean bring down the house before singing along to The Academy Is, Anberlin, and Cobra Starship.

Over the years, the Vans Warped Tour is where I met some amazing friends, discovered some of my favorite bands, and truly felt part of a community for one of the first times in my life. As the longest-running touring music festival in North America comes to a close, I’ve felt it necessary to remember those experiences while acknowledging that the experiences have others have not always been so pleasant. For a myriad of reasons, it is time for Warped Tour to end.

There were things to feel good about and music to be excited about during this final trek, yet the staggering lack of gender and racial diversity across the lineup served as a reminder of why it must come to a close. With any luck, whatever takes its place will provide a more balanced and honest view of the underground music scene in years to come.

For now, we take a look at a few of the bands on the 2018 Vans Warped Tour that made some noise and made the tour’s final run worth the price of admission. Take a look below and feel free to share some of your favorites from the lineup in the replies!

Mayday Parade

For a band that made a name for itself by following Warped Tour around the country in 2006, selling CDs to those standing in line, it’s appropriate that Mayday Parade take part in the festival’s final journey. The band has come a long way since those early days, having just released their sixth studio album, Sunnyland, earlier this summer. Per usual, Derek Sanders bounded across the main stage singing fan favorites like “Jamie All Over” and “Jersey”, making for the perfect summer sing-a-long session.

Check out our podcast interview with Derek Sanders of Mayday Parade!

Mayday Parade

As It Is

The band’s second stint on Warped Tour has brought a new sound and a new look. Making light of the obvious changes in between songs, vocalist Patty Walters introduces the band as “My Chemical Romance.” Even if As It Is haven’t quite hit the heights of the aforementioned emo legends, the early signs from upcoming album The Great Depression seem to be promising. From “The Stigma (Boys Don’t Cry)” to “The Wounded World”, these new tracks sound even better live than on tape.

As It Is

Doll Skin

While watching Phoenix, Arizona, rockers Doll Skin tear through their set, I was reminded of watching letlive. just a few years prior. The band harness the same amount of energy and passion in their performance, with vocalist Sydney Dolezal even climbing into the crowd mid-song to unleash her powerful scream. For as exciting as the band’s set was, it was disappointing to find it on a side stage. This is the kind of band deserving of the biggest platform available.

Doll Skin

Real Friends

Real Friends feels like our best current example of what it’s like to watch a band grow up on Warped Tour. Having just released their third full-length album, Composure, the band’s main stage set was one of the highlights of the day. Dan Lambton’s energy, even this late into the grueling tour, provided a spark for the crowd as he lit into “Get By” to kick off the band’s set. Having put together the best album of their career, it will be exciting to see where they go next.

Real Friends

Issues

Tyler Carter has the kind of voice that you have to hear to believe. Even when taking on an early set on a hot day late in the tour, Carter still manages to croon his way through eight songs at full tilt. The band, now a four piece, is in the process of putting together their third album, this time minus Michael Bohn. Nevertheless, Carter handled both sides of the vocals beautifully throughout the band’s set, with help from Adrian Rebollo.

Issues

Waterparks

It feels like the stock for Houston pop punk powerhouse Waterparks just keeps rising. With the release of Entertainment earlier this year, the band has cemented their stay as one of the genre’s hottest acts and have ascended to Warped Tour’s main stage. Awsten Knight carries the band’s vocal duties and helps wake up the morning crowd with performances of “Blonde”, “Take Her to the Moon”, and more.

Waterparks

This Wild Life

While standing at the front of the stage to shoot This Wild Life’s gentle set, I couldn’t help but feel good for the security guards, finally relieved of flying bodies and crowd surfers for 30 minutes. The Long Beach duo’s quiet set is the perfect intermission for a day of loud noises, especially as their catalogue of songs continues to grow. The band performs tracks from their new album, Petaluma, while still finding time to throw in some oldies like “History” and “Concrete”.

This Wild Life

Frank Turner

Yes, THAT Frank Turner took the stage for a few Warped Tour dates this year. Each year on the tour, there are always a few surprises on the lineup that should be labeled required viewing. The English folk singer took to the main stage for an eight-song set that felt all too short, while still providing plenty of moments for sing-a-longs and even a few laughs. His closing performance of “Get Better” proved to be one of the highlights of the day.

Frank Turner

Senses Fail

One final run of Warped Tour just wouldn’t feel right without one of the screamo scene’s old guard in tow, and Senses Fail make for the perfect choice. Over 15 years in, vocalist Buddy Nielsen is still a sight to behold on stage, whether he’s playing old standards like “Bite to Break Skin” and “Calling All Cars” or even a few cover songs. The band’s latest release, If There is Light, It Will Find You, is one of the most underrated albums so far in 2018, and the band’s Warped set proves to be a reminder that Senses Fail still have plenty of life left.

Senses Fail

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Podcast: Talking Warped Tour with Derek Sanders of Mayday Parade

As Warped Tour makes its final run, perhaps no band epitomizes the opportunity the tour has provided to up-and-coming bands over the years like Mayday Parade. Kiel Hauck sat down backstage with lead vocalist Derek Sanders to discuss how the band got its start following the tour in 2006 and what it means to play on Warped’s final run. Sanders also discusses the creation of the band’s latest release, Sunnyland, and what he’s learned in over 10 years of being on the road in Mayday Parade. Listen in!

Subscribe to our podcast here.

What are your must-see bands on this year’s Warped Tour? Share in the replies!

Posted by Kiel Hauck

Review: Mayday Parade – Sunnyland

Almost everyone who went through a major emo phase loved Mayday Parade at some point or another. It’s a given. There wasn’t a MySpace page that didn’t have a quote from “Miserable At Best” or “Oh Well, Oh Well”. I’m the exception to this rule, per usual.

My “emo” phase (if you could even call it that) happened a lot later than most kids’ did. I wasn’t around the music scene for the heyday of many of these bands. I came in a little later: For example, I’m much more familiar with Paramore’s Brand New Eyes rather than All We Know Is Falling. In short, I was too young for the Golden Age of Emo, and therefore too young for Mayday Parade.

You can buy Sunnyland on Apple Music.

I never went through a Mayday Parade phase until today. I blasted through their entire discography to prepare myself for their sixth album, Sunnyland. Of course, I dabbled in their singles. You can’t have “Jamie All Over” without the word “jam,” now can you? I know a lot of diehard fans of Mayday, though, so I’ve definitely received expert secondhand knowledge. It’s enough to get me by.

Sunnyland starts with a track called “Never Sure.” I think it’s called this because I’m never sure whether I’m listening to “Melrose Diner” by The Wonder Years or a Mayday Parade song. That being said, it’s a great track and the perfect choice for an opener. This seems like a weird detail to hinge on, but I love the tone Derek Sanders’ vocals in the chorus. He truly shines on this album, whether he’s singing softly or really putting some growl into it.

The album continues with “It’s Hard to Be Religious When Certain People Are Never Incinerated by Bolts of Lightning”, which just might be the longest song name released by a band who isn’t empire! empire! i was a lonely estate. I wasn’t a huge fan of this when it was released as a single. I had never listened to Black Lines since it was released in 2015, so I wasn’t used to a heavier sound from the band. It fits into the album very well, though, and I have a new appreciation for it.

The fourth track really stands out. “Is Nowhere” hits hard and seems to me to reference a toxic relationship. You think everything is great at the beginning, but after a while, true colors come out and the idea of the person’s (or even your own) perfection is shattered. “You smile while the symphony plays / And tell me music is your only escape / Well I don’t hear it anymore / So what do we do now?”

Mayday is probably best known for their heartbreaking ballads. “Miserable At Best”, “Stay”, “Terrible Things”, etc. I think the fifth track, “Take My Breath Away”, is a contender for that prize on Sunnyland. I love this track because it’s so delicate. It’s short, but it definitely stuck with me.

A low point on the album comes for me with “Stay the Same”. I think the chorus is a little bit weak, considering the rich lyrical quality of the verses and bridge. I know I’m really picky when it comes to lyrics, but I don’t think the chorus matches the imagery in the rest of the song. The opposite of a low point, though, is “How Do You Like Me Now”. Another intense track, it has nothing in common (thankfully) with the 1999 Toby Keith song of the same name. There’s a lot of things to think about in a lot of these songs, and the lines that really made me stop were the last three: “The hand you hold is letting go / The sunset is fading / So how do you like me now”.

“Satellite” is a cute track, but I feel like it’s a theme that’s been overdone in music lately. There are a lot of songs comparing love to outer space, and I think this track fell flat for me just based on that cliché. It’s a throwaway track in a sea of other really strong ones. It’s not a hindrance to what the album tries to accomplish, it just seems like an afterthought.

Interestingly, the album’s title has an explanation that we don’t get until the last two songs on the album. It ties everything together and makes the entire album more reflective than it appears before you get to the two final tracks. “Always Leaving” is a look back on the time they’ve spent away from their homes during their time as a band. Derek Sanders has a kid now and I have no doubt that this song was brought from the idea that his line of work forces him to miss out on things at home.

The final track, “Sunnyland”, talks about being kids and having the view that nothing could go wrong. Obviously, if you’ve listened to the rest of the band’s discography, you know that virtually everything went wrong in some way or another. Derek sings, “I left something important back in Sunnyland / And it’s something that I know I’ll never find”.

Sunnyland seems to be the name Mayday Parade created for the concept of nostalgia. They talked about old relationships, driving at night with friends, and playing baseball as kids. They’ve covered the theme in virtually every album they’ve released, but I think this is the first time they’ve really nailed it so heavily. This album is a fantastic piece of art. If emo was dead, Mayday Parade have singlehandedly raised it back to life.

4/5

by Nadia Paiva

kiel_hauckNadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

Podcast: The Best Music of 2007

It’s that special time of year again – time to talk about music turning 10! On our latest podcast episode, Kiel Hauck and Kyle Schultz break down some of the best music of 2007. As another collection of great albums turns 10, the duo reflect on classics from Paramore, Saves the Day, Anberlin, Kanye West, Motion City Soundtrack, The Fratellis, Mayday Parade and much more. Ready to get nostalgic with us? Listen in!

Subscribe to our podcast here.

What are some of your favorite albums from 2007? Share in the replies!

Posted by Kiel Hauck

Podcast: The Best Music of Autumn

Another fall season is upon us, which means it’s time to break out the hoodies, crack open a few Oktoberfest beers, and enjoy some of our favorite autumn music. On our latest podcast episode, Kiel and Kyle chat about the favorite albums to spin when fall rolls around and why they’re so nostalgic for the season. They also discuss what makes for a great autumn album and share some of their favorite seasonal activities. Bands included in the conversation include: Mayday Parade, The Early November, Anberlin, AFI and more!

Subscribe to our podcast here.

What is your favorite album to listen to in autumn? Share in the replies!

Posted by Kiel Hauck

10 Classic Music Videos Turning 10 in 2017

There are two kinds of memorable music videos: Those that stand the test of time as artistic genius that defined an era (think Nirvana’s “Smells Like Teen Spirit”) and those that serve as stark reminders that times change quickly and mercilessly (think Britney Spears’ “…Baby One More Time”).

However, even if your favorite band’s best music video feels a little goofy in hindsight, there’s still pleasure in chuckling with nostalgia. We’ve taken a look back at some of the most memorable music videos from 2007, each with their own quirks and flashes of brilliance. Enjoy!

Paramore – “Misery Business”

There’s an argument to be made for “Misery Business” as not only the defining music video of 2007, but maybe the scene as a whole. Who can forget the Riot!-covered set inspired by the album cover, Hayley Williams’ fire-orange hair whipping about, and the band’s over-the-top head-banging performance? The video served as the grand introduction for Paramore to the general public, and proved to the rest of us that this band had what it would take to take over the rock world.

The Academy Is – “We’ve Got a Big Mess on Our Hands”

“We’ve Got a Big Mess” is one of my favorite music videos of all time. A heart-breaking story of an artist’s internal battle, the video goes from amusing to agonizing in its final moments, as William Beckett goes to war against himself. And who can forget the Pete Wentz cameo that serves as a conceptual bridge to Fall Out Boy’s “Thnks fr th Mmrs” video? Admit it, you wanted to be a part of the Fueled By Ramen Friends Club in 2007.

Fall Out Boy – “This Ain’t a Scene, It’s an Arms Race”

Speaking of Fall Out Boy, it’s hard to pick just one video from Infinity on High to make this list, but “This Ain’t a Scene” has to be the clear winner. Full of call-backs to past Fall Out Boy videos and littered with humorous references to the members’ various exploits, this clip is a perfect example of Fall Out Boy’s unparalleled self-awareness and serves as the perfect video for one of the best singles of the year.

The Almost – “Say This Sooner”

By 2007, Underoath had become one of the biggest rock bands around, which probably made it the perfect time for drummer/vocalist Aaron Gillespie to branch out with this solo project, The Almost. His first video finds him traveling time and dimensions as he gets the chance to walk in various strangers’ shoes. We’re still not sure how he managed to get back to his own body, but the video is a fun ride nonetheless.

Mayday Parade – “Jamie All Over”

The biggest problem facing Mayday Parade music videos in 2007 was the absence of Jason Lancaster, who left the band before the release of A Lesson in Romantics. In the band’s videos, various members take over mock-singing duties, with Jeremy Lenzo drawing the straw for “Jamie All Over”. It’s hard not to wonder if their Vegas gambling rollercoaster concept inspired Katy Perry’s almost identical “Waking Up in Vegas” video. Has anyone ever investigated this?

The Devil Wears Prada – “Hey John, What’s Your Name Again?”

Plagues became the coming out party for metalcore stars The Devil Wears Prada, and it all started with their video for “Hey John”. The clip explores a young boy’s regret and redemption, but also gives us our first glimpse of the band’s incredible energy, driven by vocalist Mike Hranica. By the end of the video, Hranica appears exhausted from the performance – either that or he’s really relieved that bird didn’t actually die.

All Time Low – “Dear Maria, Count Me In”

Remember when All Time Low were just a bunch of bratty pop punk kids with bad haircuts singing about strippers? If not, the video for “Dear Maria” should jog your memory. One thing’s for certain about 2007 All Time Low – they loved dressing up in costumes in their videos. Or maybe they just couldn’t afford more than one extra for each shoot. Whatever the case, this song still features one of the best choruses of all time.

We the Kings – “Check Yes, Juliet”

While we’re on the topic of chorus heavy pop punk, We the Kings made their way onto the stage in 200y with “Check Yes, Juliet” – a single that still happens to be the band’s most popular song (for good reason). The video re-hashes an oft-used Romeo and Juliet storyline and is hella cheesy but…wait, is this video actually good? Too late. It’s on the list.

MxPx – “Shut it Down”

2007 turned out to be a year of revival for pop punk legends MxPx as they returned home to Tooth and Nail Records. In hindsight, this song sounds a lot like your dad giving you a hard time for staring at your cell phone, but it’s pretty fun to watch these guys smash a variety of electronics with baseball bats. Oh, and that close up shot of Mike Herrera’s “PUNK RAWK” knuckle tattoos is kinda perfect.

Kanye West – “Stronger”

The plot of this video essentially consists of the members of Daft Punk engineering a new and improved Kanye, which is a little scary, but also exciting. The video for “Stronger” also introduces us to the visor shades that became his ironic calling card for a few years, so that’s pretty good. If you’re still asking why this video made the list, it’s because the song is incredible and the video is so tacky and absurd that it’s hard not to laugh while you dance. So there.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Mayday Parade Celebrate 10 Years of “A Lesson in Romantics”

Amidst the never-ending deluge of 10-year anniversary tours that have become the calling card for a scene currently awash in nostalgia, how satisfying is it when the source material truly stands the test of time? Mayday Parade’s debut, A Lesson in Romantics, remains just as fresh and enjoyable a decade after its release, while serving as a touchstone for a period when emo pop began bubbling to the surface of pop culture consciousness.

This is probably as good of a time as any to reveal my bias. A Lesson in Romantics is one of my favorite albums – a collection of songs that saw me through a particularly difficult period of life and placed hope on the horizon. I also consider it to be a hallmark album in a genre I love. Born from the influences of its many predecessors, A Lesson in Romantics managed to successfully embed punk inspiration within a pure pop vehicle, helping expand the scene’s audience.

Mayday Parade

Thus, my attendance at the Indianapolis date of the tour found my objectivity slightly compromised. As Mayday Parade made their entrance, the rising lights revealed a stage setup resembling the album’s unforgettable cover art, complete with a sunset, a hand-drawn skyline and even streetlights buzzing with a yellow glow. The only notable absence was that of a red umbrella.

As the opening chords of “Jamie All Over” blasted through the monitors at the front of the stage, I found myself shouting the lyrics of, “I had a dream last night we drove out to see Las Vegas” while wielding my camera to capture the scene – half fanboy, half music critic. I have no regrets.

Of course, I wasn’t alone. I’ve seen many Mayday Parade concerts through the years, and one of the things I love about the band is the joyfulness of their performance. It’s hard not to watch vocalist Derek Sanders bound across the stage, typically barefoot, and not return his smile. Often, the crowd becomes a choir, especially during setlist staples like “Jersey” or “Black Cat”.

Something that sets A Lesson in Romantics apart from its peers is its lack of a signature song, although you could make a compelling argument for “Miserable at Best”. Instead, the album flows effortlessly across 12 tracks, and on this night, everyone in attendance seems to know every word. There are no lulls, no filler tracks to suffer through – Romantics is a truly great album from front to back. Sure, I have my favorite songs, but there’s not a single one that I’m apt to skip.

Mayday Parade

One of the most obvious conversations surrounding the tour has been the absence of Jason Lancaster, who provided half of the vocals on the album, but departed the band before its release. No one truly expected a sudden reunion, but it’s hard not to wonder what such a tour would have felt like, at least until you attend one of the shows.

True to the album’s sing-along nature, the Indianapolis crowd belts out the lyrics in call and response fashion, assisting drummer Jake Bundrick with additional vocal duties. During the aforementioned piano ballad “Miserable at Best”, the crowd is allowed to sing alone for several stretches as Sanders plays from behind the keyboard. It’s the kind of communal catharsis that makes this scene still worth fighting for and a joy to be a part of in its best moments.

A few of my personal favorite moments of the night came during those fleeting lose-yourself flashes, such as during the soaring chorus of “Walk on Water or Drown” and the opening lines of “I’d Hate to Be You When People Find Out What This Song is About”. Even so, it’s hard not to also enjoy observing others in attendance having their own moments of delight or release.

Perhaps what’s just as impressive as the lasting impact of A Lesson in Romantics itself is Mayday Parade’s ability to embrace the lighting in a bottle they captured on that record, while continuing to push themselves forward as a band over the past 10 years. While albums like Mayday Parade and Black Lines may not have resonated in the moment to the same degree, the band has no shortage of great music in its catalogue, highlighted by an encore setlist after their performance of Romantics comes to a close. Songs like “Terrible Things” and “When You See My Friends” seem to elicit just as much energy from a tired crowd as the heralded album that preceded them.

The past few years have seen so many anniversary tours, that it’s sometimes hard to remember what the point was or which albums truly deserve such a grand re-telling. Perhaps it’s something deeply personal, no matter the scope of the tour itself, and a reminder that different songs impact each of us in different ways as time passes. If the goal is to collectively celebrate an album that has stood the test of time, while offering a community the chance to share the experience of what those songs still mean to us, this tour has effectively provided the best blueprint.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.