By the time I had discovered Lucky Boys Confusion, save for one collection of demos and B-Sides, the band had already released all of their material and the various members had decided to split off to work on their own projects. None of that stopped a large group of us from driving hours to Chicago to see their annual one-off shows.
In the time since then, several events, namely divorce and the unfortunate passing of guitarist Joe Sell in 2013, acted as a catalyst to reevaluate and spawn a new spark of creativity for the band. Once known for drinking songs, the group has tempered themselves slightly, finding the same lively spirit in rebuilding themselves once the party is over. Stormchasers isn’t a depressing record. It’s the concept of following the havoc in life and cleaning the wreckage into something new, for better or for worse, while looking back fondly on what came before.
Picking up where the How To Get Out Alive EP left off over a decade ago, Stormchasers forgoes many of the ska and hip hop elements of early LBC in favor of the of the immediate punk and waves of Americana rock of guitarist Adam Krier’s side project, AM Taxi. However, that’s not to say that it doesn’t sound like a Lucky Boys record – Stormchasers is loud, aggressive and quickly gets to the heart of the issues that may have held the group back before breaking free of those constraints to forge a natural progression of the band.
As a concept record, LBC addresses the elephants in the room within the first three songs; feeling stuck at this point in life (“I Slept with the Devil”), divorce (“It’s After Midnight”) and carrying on after losing Joe Sell (“Stormchaser”). However, instead of wallowing in sadness, Stormchasers uses nostalgia as a tool of empowerment to search for a better future (“Good Luck”).
The evolution in sound for Lucky Boys Confusion is obvious to anyone who has followed the band. They have doubled down on the rock aspect of the music, forgoing the hip hop genre that aged their older albums. While it negates the unique draw of their early discography, it verifies the band as an essential punk band and the flag bearers of the modern rock scene in Chicago. Adam Krier’s guitarwork comes in waves of stiff power chords that create walls of sound while maintaining extraordinary melody. Whether loud and erratic (“Insomniac”), gentle and subdued (“Sun in My Eyes”), or a throwback to the band’s classic era (“Stormchaser”), Krier is at his best, carefully bringing the band’s sound back from into the modern age.
Bassist Jason Schultejann has ample time to carry the songs entirely (“Burn a Little Birghter”, “Name In Lights”), providing substance to a genre that can easily out-loud the bass. Drummer Ryan Fergus is a powerhouse, carrying tempo across the spectrum and maintaining a foreboding presence even in the softest moments.
Vocalist Kaustubh “Stubhy” Pandav once again proves himself as one of the best vocalists in rock. Pandav pushes himself in nearly every song, maintaining every ounce of the enigmatic energy that made him a captivating singer two decades ago. His voice was made for pop punk, and the effect carries through effortlessly (“Sun in My Eyes”, “Your Friends Are Whispering”).
Thematically, Lucky Boys delve into finding the hope at the end of the dark moments. “Slept With the Devil” sets the tone, as Pandav chants, “Our dreams are burning, we breathe the smoke / There’s only so much time before we choke / So stop complaining, embrace the thrill / There’s only so much time here left to kill”.
However, the darkness they describe runs deep. Pandav finds the helplessness through the hell of divorce on “It’s After Midnight”, pleading, “You stopped loving me right when I turned around / I wasn’t chaste enough for you / You took the battleground, you won the war in a wedding gown”. “Stormchaser” particularly strikes deep, reflecting on Joe Sell. “Welcome to life as a stormchaser: searching for love and black bitters /… and I’m tired of being cynical, but it’s catching up / And I’m tired of being practical, but it’s catching up / And I’m seeing the possibilities, and they’re catching up to me / But you’re catching up to me”.
However, the use of nostalgia is used as a tool to pave a way forward and creates a message of hope out of the initial depressing lyrics. On “Sun in My Eyes”, Pandav sings, “How did we go from getting so high off of feeling shallow? Most of these days we make it up as we go”.
One of the true highlights is “Good Luck”, an AM Taxi-esque rocker that gives guitarist Adam Krier lead vocals. He reflects on memories of the band’s inspiration and career, making a declaration of what drives the band to keep going after everything. “Got a varsity letter? Screw ‘em, we get endless memories / Playing songs together, keeping up all the neighbors on your street / And if we burn out fast, come whatever / Summer songs will last, that’s forever. Now and forever, good luck”.
Stormchasers is a massive return for a band many had thought was more or less put to rest. Without retreading ground already covered, the band picks up where they left off. While the songs may not be the soundtrack for hard drinking, the mature aspect refines the storytelling that LBC are known for that cuts through what would be a sad album and makes it one of that yearns to find hope when there doesn’t feel like any.
by Kyle Schultz
Kyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and has so far seen LBC live twice in 2017. It’s not creepy if you call it “enthusiasm!”