“We wanna see you at our next show!”
Saves The Day was the first concert I ever went to. With a car full of people, we drove from Indiana to downtown Chicago to see the show on a school night. The energy and passion Chris Conley emanated had us talking about the show all the way home and for weeks after. Saves The Day were young and on the tail end of the their tour in support of In Reverie. Since then, I have seen them touring at least once during each album cycle.
Having just released 9, Saves The Day are on a victory lap. Celebrating 20 years as an incredibly influential band, Chris Conley is enjoying himself and looking back at his career on stage without the pressure of still ‘having to make it.’
Conley is allowing himself to take a step back, maybe for the first time in his career. Prior to this tour, I had only seen him standing in front of the mic, smiling while he sang and wailed on the guitar. Saves The Day have always been the ‘standard’ rock band to me. Though he doesn’t run across the stage causing general chaos, Conley has always commanded the audience through nothing but music. However, this tour is the result of Conley’s two decades of devotion and hard work. Aside from a few songs, he is mostly removing himself from the guitar this time. Instead, he is opting to sing and dance to the music that made him a legend. And he deserves it.
Following Conley’s cue, the opening sets were stripped down bands. An Horse opened the night as a two-piece that utterly destroyed the Bottom Lounge. Consisting of drummer Damon Cox and guitarist Kate Cooper, the Australian duo made enough noise for a complete four-person entourage. Sharing vocal duties, Cox and Cooper ripped through a set of impressively melodic indie rock. Including their new single, “Get Out Somehow”, they ended their set with a cameo from Kevin Devine on bass, offering a quick preview of his set.
Kevin Devine has been a big name in the indie scene for a long time. I’ve never been familiar with his music, but seeing him live proved why he has persisted on the scene. Equal parts indie star and rock icon, Devine confidently raged through political songs alone on stage. Pulsing through his electric guitar, Devine screamed, crooned and broke down in melodic guitar riffs to rapt applause. Finding an audience in politically motivated songs, Devine proved to be one of the leading solo acts in the scene by skirting the traditional topics of heartbreak and relationships. The passion and intensity of his performance was something that could only be accomplished by someone performing something they believe in.
Saves The Day took the stage with five members for the first time that I have seen. With a new touring guitarist joining lead guitarist Arun Bali, Chris Conley took charge of singing and just enjoying the music. Sporting dark sunglasses and a jacket, Conley opened with his signature anthem, “At Your Funeral” before launching into a series of newer songs including “Suzuki”, “Xenophobic Blind Left Hook” and “Get Fucked Up”.
Taking at least one song from every album, the band didn’t lean as far into the pop punk scene that they helped create as much as they explored the continuing evolution of their music. Saves The Day’s setlist was a sample of their greatest hits that roared through classic punk rock and modern rock. At this point in their career, Saves The Day have left their mark on the punk scene forever and influenced multiple generations of artists. Nothing cemented this legacy more than the crowd watching the band.
With the Bottom Lounge mostly full, Conley announced that the band’s seminal album Through Being Cool was 19 years old that day. And while they played some of the best songs from that record (“Shoulder To The Wheel”, “Holly Hox, Forget Me Nots”), they didn’t dwell on it. Each time a classic song like “Rocks Tonic Juice Magic” or Stay What You Are’s “Freakish” came on, the younger generation began excitedly crowd surfing and opening a pit. However, fans who have followed the band for years are still showing up, just as excited as ever. As the opening lines of “Side By Side” from 9 started, a bald man in his 40’s literally threw his arms up in the air and shouted in joy.
Saves The Day are undoubtedly one of the most important bands in punk rock today. Their fanbase has grown with them and continued to expand with younger crowds throughout the years. Chris Conley has managed to navigate the harsh landscape of music and managed to stay relevant to the point that he can finally enjoy the fruits of his labor by just listening to his own music and enjoying it the same way his own fans do – by singing along and dancing until the next album.
by Kyle Schultz
Kyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and really just… ate far too much macaroni.