The first MxPx release to catch my ear wasn’t a studio album. In the summer of 1999, the band released At the Show, a 21-track live album coming on the heels of an unprecedented run of solid gold pop punk – literally. Life in General firmly legitimized the band in 1996 before 1998’s Slowly Going the Way of the Buffalo was certified gold, followed by Let it Happen, one of the greatest collections of B-sides the genre has seen. The skate punk kids from Bremerton had arrived.
At the Show introduced me to the band and served as a primer on their greatest hits. Even now, when the studio version “Chick Magnet” comes on, I sing along with the vocals of Mike Herrera’s much looser and more playful live rendition. It’s probably no surprise then that 2000’s The Ever Passing Moment is my favorite MxPx album. It was the first one to release after I’d fallen head-over-heels in love with the band.
It is now 20 years old, which almost seems impossible.
You can have a lot of fun debates about which MxPx album is the best because there really aren’t any bad ones. And while I’ve always conceded that Life in General stands at the front of the pack, it’s never held the same place in my heart. The Ever Passing Moment finds the band at the top of their game with nothing to prove. Free from their divorce from Tooth & Nail Records, MxPx seemed to spread their wings on A&M – three years later, they would release their most commercial album to date with Before Everything & After.
Almost every one of the album’s 15 tracks clocks in at under 3 minutes, and each flexes the band’s most impressive muscle – fast-paced, left coast punk rawk. The Ever Passing Moment breezes by effortlessly, which is probably why I’ve played it so relentlessly over the years that I know every beat and turn like the back of my hand. Not to mention the litany of memorable moments that reside in MxPx lore, from the stomping chorus of “Responsibility” to Dave Grohl’s scream of “One, two, three, go!” at the start of “The Next Big Thing”.
Because the album is so solid from front to back, it takes the pressure off the singles to carry two decades’ worth of weight. I’ve always found unsung tracks like “Two Whole Years”, “Foolish”, “Answer in the Question”, and “Unsaid” to be just as fun, energetic, and memorable as anything in the band’s catalogue. And truly, that’s how you end up talking about an album 20 years later – it has to be an album worth talking about.
As the pop punk genre took off into the mainstream at the start of the new century, MxPx began their transition to a band of legacy. To date, the band has released five more full-length albums since The Ever Passing Moment, each worthy of celebration, even if they didn’t hold quite the same level of influence. No matter. A large majority of the onslaught of pop punk’s new wave could trace their lineage back to MxPx.
If Life in General was the album that made a new generation of punks want to pick up a guitar, The Ever Passing Moment was the album that served as the definitive playbook for pop punk excellence.
by Kiel Hauck
Kiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.
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