Podcast: Our Most Anticipated Music of 2021

January 27, 2021 by Leave a Comment

In many ways, it’s harder than ever before to know what to expect from the world of music in 2021. Did our favorite artists use quarantine downtime to create? Will there be live shows? Who knows! But we’re here to speculate.

Kiel Hauck is joined by Nadia Alves and Kyle Schultz to discuss the music they’d most like to hear in the new year, including new albums from the likes of Weezer, Kendrick Lamar, Julien Baker, AFI, Travis Scott, Lorde and more. They also discuss the difficult nuances around creativity in the midst of depression and why many artists may need more time to bounce back. And finally – what are the chances that we’ll be able to safely attend a live music even in 2021? Take a listen!

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Posted by Kiel Hauck

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Most Anticipated of 2021: Tigers Jaw Finally End the Wait

January 14, 2021 by Leave a Comment

I sit at the feet of Tigers Jaw, waiting patiently for the day they decide to toss an album into my eager, outstretched palms. Brianna Collins looks down at me in disgust; it has been three years of this waiting game. I Won’t Care How You Remember Me comes out on March 5th, so I will sit at the gates of the Tigers Jaw kingdom for two more months, hungrily feasting on each single and promotional photo they leave for me, the lowliest of listeners.

This is absolutely my most anticipated album of the year, and I’m glad that it’s a guaranteed release because I can’t take any more disappointment. I often insert my pipe dream albums in the most anticipated segment of the year, and it almost always ends up backfiring on me, so I’ve tried to stop. Tigers Jaw is one of the few bands that make my pipe dreams come true — a solid album every time. They have production god Will Yip on their side and that has always been to their absolute benefit.

Dramatic monologue aside, you obviously all saw this coming. I’ve seen Tigers Jaw play several shows and with each performance my love for their infectious pop rock grows. Each album is better than the last, and Spin (2017) has remained in my frequent listening pile since release day. Hopefully the latter half of 2021 will allow me to see them play the new tracks live, but who can even have any hope at this point? You can watch the videos for “Cat’s Cradle” and “Lemon Mouth” now, and the third single, “Hesitation” dropped on January 7th.

by Nadia Alves

kiel_hauckNadia Alves has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

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Most Anticipated of 2021: Lorde Travels to New Heights

January 13, 2021 by Leave a Comment

Here is my biggest secret-not-a-secret of the past three years: I need Lorde to come back and grace us with another electro pop masterpiece. She was robbed of her Album of the Year by Bruno Mars (I wanted to jump through the TV and pull a Kanye, not gonna lie) after 2017’s Melodrama, and we have waited with bated breath to see what she would do next. 

She announced in November that she was releasing a book, Going South, a travel journal inspired by her trip to Antarctica in 2019, and one can’t help but wonder when a new album will follow. It sold out before I could even look at the preorder page, but I intend to pick it up when I can.

The proceeds for the book are going to fund a scholarship. I didn’t fully appreciate what we had in Lorde when Pure Heroine came out; I figured she would be another one-album-pop-star, but her music truly transcends genre, and I now consider her music timeless.

by Nadia Alves

kiel_hauckNadia Alves has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

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Most Anticipated of 2021: Weezer Become Kings of Rock

January 12, 2021 by Leave a Comment

It can be tough being a Weezer fan sometimes. While they have some of the best rock albums of all time, there is a considerable amount that are not as good (looking at you, Black Album). However, the imminent release of Van Weezer and the rescheduled Hell Mega Tour with Green Day and Fall Out Boy seems like a ripe time for the return of the glory days of Weezer’s guitar-heavy rock music.

Despite the clear inspiration of Van Halen on their sleeves, the singles released from Van Weezer offer a haunting return to the glorious “rock god” status of past albums. Lead single “The End of the Game” somehow uses a Van Halen-esque opening guitar riff to call back to the sound of past Weezer albums like The Green Album and Maladroit. 

If the rest of the album can maintain the energy and writing of the singles released so far, Van Weezer may be the best album the band has released in years. Weezer take a lot of big swings in their career, and while not all of them land, it’s always worth seeing what they’re doing. When one of their swings is purely to rile their fanbase into a moshing frenzy, it’s a moment that demands that fans remember just how high Weezer tower over the genre.

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and is staring deep into the eyes of a pinecone owl.

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Most Anticipated of 2021: Travis Scott Blasts Off

January 11, 2021 by Leave a Comment

It’s crazy to think that we’re over two years separated from Astroworld, the album that transformed Travis Scott from a rapper on the fringe of the zeitgeist to one of the biggest and most exciting voices in hip hop. It’s an album that somehow still feels underrated, despite its influence and omnipresence as a new summer staple. Scott has seized the opportunity to transform from musician to cultural icon. Did that McDonald’s thing actually happen? Yes, it did.

We do have an idea of what comes next, we just don’t know the exact time it will arrive. Scott announced Utopia last October, which has already seen singles in the form of “Highest in the Room” and “Franchise” featuring M.I.A. and Young Thug – one of the most unsung tracks of 2020. We can expect that Scott will bring the house down with Utopia, but what are we to expect in terms of tone? Astroworld dazzled in its theme park presentation and could easily exist as a standalone effort in that regard. Could Utopia trend darker?

We’ll have to wait to see, but hopefully not too long. Although we’re just in the beginning of the cold winter season, we’ll soon be looking for some spring and summer soundtracks when we’re all hopefully be able to, like, go outside and do things again. And when it happens, I can’t wait to play Travis Scott at full blast.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

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Most Anticipated of 2021: Panic! At the Disco Claim the Dancefloor

January 8, 2021 by Leave a Comment

Check out our podcast episode breaking down our most anticipated music of 2021!

It’s been almost three years since Panic! At the Disco released the absolutely stellar Pray For The Wicked, but Brendon Urie isn’t one to sit idle for too long. Coming off the high of what is arguably Panic’s best record, it’s hard to imagine that anything can top Pray For The Wicked. 

Fortunately though, Brendon Urie is full of surprises. Having brought Panic! back from the brink of collapse, expanded the band’s sound in unimaginable ways and lifted the group to become one of the world’s biggest acts over the last decade, he isn’t one to take lightly. With each album carrying a distinct and unique persona and sound, it’s hard not to be excited for whatever comes next.

Panic! At the Disco is a band that universally delivers in a way that almost no other musical act can. Whatever Urie has planned for the band’s seventh album, it’s destined to once again push the band’s boundaries and force other pop acts to up their game just to keep up.

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and sneezed, then his cat sneezed, then he sneezed again. A sign of the end times or just exceptional timing between man and beast? The answer, is yes.

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Most Anticipated of 2021: Julien Baker Brings Healing

January 7, 2021 by Leave a Comment

Phoebe Bridgers gave me my album of 2020, so her friend Julien Baker has some shoes to fill with Little Oblivions, slated for February 26th. Her gentle instrumentation and grating lyricism in the first single, “Faith Healer” is a great first taste of what we can expect from her third studio album. She plays almost every instrument this time around and I’m interested in hearing her perspective with a richer sound.

Having recently been thrown into an unexpected time of loss, I’m excited for the balm I know Julien’s album will be. Her juxtaposition of religion and reality has always been grounding and a good reminder that it will get better, whatever “better” ends up meaning.

Her music, while deeply personal for her, has been a great source of what I think of as “responsible escapism” — the idea that leaning into media and art that that highlights our emotional state is paramount to healing.

by Nadia Alves

kiel_hauckNadia Alves has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.

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Most Anticipated of 2021: AFI Step Out of the Shadows

January 6, 2021 by Leave a Comment

After a decade of almost yearly releases of some type, it would be reasonable to expect AFI’s Davey Havok and Jade Puget to run out of ideas at some point. However, since it has been two years since AFI’s last new music, the duo’s main band was due for a release. With the arrival of the new year, the band have already released a statement that new music was on the way.

With the four year mark approaching since the release of AFI’s last album proper, AFI (The Blood Album), the group has taken one of the longest breaks between record releases since 2009, with only 2018’s stellar The Missing Man EP tiding fans over in the meantime. However, Havok has expanded his songwriting considerably since The Blood Album, having released Dreamcar’s debut album and two Blaqk Audio albums in the meantime.

Each new album over the last decade has somehow managed to expand AFI’s sound while simultaneously reverberating the dark punk aesthetic that launched the group into cult superstars. But with each new album carrying the air of a unique style and theme, the time between albums has given the band ample time to deliver once again.

by Kyle Schultz

kyle_catKyle Schultz is the Senior Editor at It’s All Dead and has worked as a gaming journalist at Structure Gaming. He lives in Chicago and just ate what can only be described as “too much ghost pepper queso.”….. or not enough?

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Most Anticipated of 2021: Underoath Provide Another Fix

January 5, 2021 by Leave a Comment

Tampa, Florida, rock act Underoath didn’t let 2020 slow them down. Booked to support Slipknot on a massive summer tour that went up in smoke, the band launched a weekly Twitch show breaking down their catalogue track-by-track with a constant stream of guests. But it all led up to the big announcement: A live streamed concert event held over three nights called Underoath: Observatory. And it was incredible.

Not only did Underoath use the expertly executed Observatory series to set the bar for the litany of live-streamed concerts that came after, it turned out to be pretty profitable according to an article published by Forbes in July. While the Observatory series certainly won’t mark the end of Underoath’s time on the road, it opened a new door of possibilities for what it might look like for fans to experience their favorite band.

But throughout the band’s fascinating summer adventures, there was an undercurrent that there was more to come. Given that five of the six band members all still reside in the Florida area, it’s probably safe to presume that some collaboration and writing took place in 2020. Following Underoath’s successful comeback album, Erase Me, coupled with the tour opportunities that followed, now is certainly the time to strike while the iron is still hot.

If 2020 offered longtime fans of the band to re-experience Underoath’s old albums and classic material, 2021 could very well present us with something new. Whether you enjoyed the sonic evolution found on Erase Me or not, the band’s trajectory has always been one of exploration and change. I don’t know about you, but I’m ready for another dose.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

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Most Anticipated of 2021: Kacey Musgraves Shines Bright

January 4, 2021 by Leave a Comment

We’re coming up on two years since the release of Golden Hour, the country pop masterpiece from Kacey Musgraves. Met with acclaim from almost every angle, Golden Hour was an album whose warmth and hope was a much needed respite at the time. Honestly, its tone would have felt out of place in 2020, and I only recently returned it in the past month as we prepare to (hopefully) come up for air in the coming spring.

And if the chips fall right, 2021 could be the perfect time for a follow up. Fans were treated to a very vague but straightforward tease last August when Musgraves chose to entertain a fan’s questioning on Twitter:

Since the release of Golden Hour, Musgraves has not only become a welcome voice for progress on every platform she graces, but has become an unexpected feature guest across tracks by everyone from The Flaming Lips to Troye Sivan. Once an outsider amidst the curmudgeonly country crowd, Musgraves has not only won over many a country music gatekeeper, but has become one of the most exciting voices in all of pop.

So what comes next? 2021 will be interesting in its artistic output from every angle, to say the least, but the world is Musgraves’ oyster at this point. Will she dive deeper into the disco influence that peeked through the cracks on Golden Hour? Return to her more traditional country roots that were displayed on her early work? Something else entirely? Time will tell. And we can’t wait to find out.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

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