My first experience with Weezer came while playing Guitar Hero with a friend and watching them play “Say It Ain’t So”. As ridiculous as that sounds, their self-titled album remains my favorite release of theirs and I always turn up the volume when “The Sweater Song” comes through my headphones.
My experience in this regard isn’t necessarily exclusive. Weezer has always been a great choice for a party playlist. This was true at the beginning of their hip, college kid demographic of yesteryear into the irony-driven college kid demographic of today. The lyrics in their latest venture, Pacific Daydream, are approachable and not too deep, but not worthless, either. As their career continues to unfold, Weezer seem to dwell in the past, always holding onto youth and fun, while avoiding feeling dated
Pacific Daydream was released on October 27, which is strange, because it would’ve landed best, without a doubt, as a summer album. That doesn’t take away from the quality of the album at all. I think it’s got their finest production and tightest sound, and, noticeably, their most enjoyable lyricism.
It’s no secret that times are tough. Shootings and natural disasters and all manner of terrible things tend to plague our day-to-day lives. Still, people are using music as an escape. I think Weezer’s Pacific Daydream provides that escape perfectly. Songs about relationships and day trips and simpler times are what we turn to when the news gets exhausting and depressing.
I know I’m more apt to turn on something upbeat when the world around me is at a low point. I think that the past holds a certain security, because we know what’s happened and how everything turned out, whether the outcome was positive or negative. Weezer seems to have tapped into that idea with the song “Beach Boys”, where Rivers Cuomo sings about how old, familiar music is sometimes the best choice.
Something I noticed from track to track is the similarity between certain older songs and the songs on this album. The references are simple and may not even have been done on purpose. “Weekend Girl” reminded me of The Cure’s “Friday I’m In Love” with the reference to meeting said-girl on Sunday and thinking about her on Monday and then through the remainder of “the weekday traffic”.
Similarly, “Sweet Mary” lyrically reminded me of The Beatles’ “Let It Be”. Right from the get-go, we have the lines, “When I am all on my own / One foot in the grave / My Sweet Mary comes / To help me find my way”. The most overt mentions of classic music are obviously the aforementioned track, “Beach Boys” and the lyric in the final track, “Any Friend of Diane’s”, which talks about a girl wearing a shirt featuring The Smiths.
On a broader level, Pacific Daydream seems to be the second in an unofficial series of albums featuring heavy mention of California. This album is their second to be released with Crush Management, so it’s possible that there was a push there for some thematic continuity. Whatever the case, it gives a perspective on where the members draw their influence, at least from a geographical standpoint.
I don’t really like choosing best or worst tracks. Instead, I prefer to take the album as a whole, trusting the artist’s final judgment on the pieces of their art they believe to be good enough to release publicly. Even without that personal guideline, I had difficult time with giving these 10 songs a definitive rating. The album is tightly knit and well put together and each song fits well where it was placed. Put plainly, Pacific Daydream is a perfect pop album, joining the ranks of some of the year’s best.
What I’m trying to get at here is that Weezer is the ultimate nostalgia band. With a new album hinted at for 2018, Weezer has made it clear that they aren’t keen on stopping. Over their 11 albums, they’ve remained consistently tied to the idea of never-ending youth, and they’ve invited us to revel in summer all year ‘round.
by Nadia Paiva
Nadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.