10 Classic Music Videos Turning 10 in 2020

Every year, I use my love of music videos as an excuse to spend way too much time watching music videos from a decade prior and then making a dumb list of some of my favorites. This is that list! It’s crazy to think that breakthrough years for artists like Lady Gaga and Katy Perry are now a decade behind us. Or that 10 years ago, My Chemical Romance was still going strong with one of the most anticipated rock albums of the year.

Then again, time makes almost no sense these days. Seeing as many of us have plenty of times on our hands, I hope you’ll enjoy this list of some of my favorite music videos from 2010. If you feel so inclined, share some of your favorites in the replies!

Circa Survive – “Imaginary Enemy”

The lead single from Circa Survive’s 2010 masterpiece Blue Sky Noise was “Get Out”, but the most underrated track from the album is “Imaginary Enemy”. The video finds the band members running through dark forests and fields on the wrong side of a witch hunt. That imagery is kind of perfect for where the band found themselves around this time, at least until the end of the video when they’re beamed up into a spaceship. Then again, do we have proof this never happened?

Lady Gaga – “Alejandro”

By 2010, new Lady Gaga videos were appointment viewing, much like Madonna’s artistic dominance on MTV in the 80s. You can pick your poison in terms of the best video from The Fame Monster – I went with “Alejandro” for its sheer weirdness and beauty. Inspired by her admiration and love for her gay friends, the video is full of religious imagery and sexual energy. Was there anything more Gaga in 2010 than an AR-15 assault rifle bra?

Bring Me the Horizon – “It Never Ends”

Oh no! Oli Sykes is in the back of an ambulance barreling down the road, driven by a guy whose eyes are covered! And he’s also kinda floating around down the road like a ghost! And there are vampires? This video is weird, but this song is so good. 2010 saw Bring Me the Horizon make a huge artistic leap forward, spearheaded by “It Never Ends” and its manic video which is constantly trying to capture the energy of one of the year’s most aggressive metalcore tracks.

Pierce the Veil – “Caraphernelia”

The video for Pierce the Veil’s “Caraphernelia” serves as an early entry in the “we’re so consumed by our phones!” narrative. Nevertheless, nothing was quite as scene in 2010 as Vic Fuentes and company playing in front of the giant letters “PTV” set aflame. Cool crossover moment: A Day to Remember’s Jeremy McKinnon contributes his vocals in this video via a pay phone, the same manner in which Vic appears in A Day to Remember’s video for “All I Want”.

Kanye West featuring Jay-Z and Nicki Minaj – “Monster”

Remember back when Kanye was enjoyable and we really liked his music? Ah, those were the days. The video for “Monster” was never officially released, because it’s horror movie images were deemed a bit too far beyond the pale. But the video exists online and it’s…good, albeit very creepy. It’s also fun as hell to watch Nicki Minaj own her portion of the video, capping off the best rap verse of 2010.

A Day to Remember – “All I Want”

What Separates Me from You felt like A Day to Remember’s big moment when it dropped, highlighted by lead single “All I Want” – a signature ADTR track complete with a great breakdown and a killer chorus. The video serves as a scene who’s who, with nearly every band imaginable making an appearance. Ten years later, though, it’s pretty dang weird that it’s all dudes. You couldn’t find a single lady to include, guys? Come on.

Kesha – “Take it Off”

Kesha’s run of singles in 2010 rivals that of a few others on this list who had massive years (Lady Gaga and Katy Perry). While there may have been better Kesha singles, I’ve always been partial to “Take it Off” – a song with two different music videos. In this one, clearly the wildest of the two, Kesha and friends find themselves hitting up a rave in a motel pool, but oh wait, it’s actually on another planet, and oh wait, are they all dissolving into dust? Yes. yes, they are.

Travie McCoy featuring Bruno Mars – “Billionaire”

Y’all. In 2010, Travie McCoy of Gym Class Heroes broke out as a solo artist with one of the biggest hits of the year…featuring Bruno Mars. That was a thing that happened. The video finds the two rolling down the highway in a convertible and hitting up a beach and skate park before landing at a party with some cool kids. Travie may have never become a billionaire (I assume), but he definitely left his mark on 2010.

My Chemical Romance – “Na Na Na”

Was it really 10 years ago that My Chemical Romance began what we thought was their final chapter with Danger Days? This first video really set the tone for the band’s new aesthetic, set in a dystopian future with neon laser guns and bright hair colors. The band’s new look went right along with their new sound, telling the story of the Killjoys, a group of rogue do-gooders who take out some bad guys while saving a kid. For what it’s worth, red-hair Gerard Way looked really cool.

Katy Perry – “Teenage Dream”

Katy Perry dominated the airwaves in 2010 like few other have. Five singles from Teenage Dream hit number one on the charts, making her the first female artist to achieve that feat, and the first artist since Michael Jackson. In the video for the album’s title track, a summer joyride with her beau turns into passion. And then, as is customary, the couple follow it up with a dance party in a weird alley with a group of strangers. When in Rome.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple pop culture outlets and was previously an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife, daughter, and their imaginary pet, Hand Dog. You can follow him on Twitter.

Pierce the Veil Release “Today I Saw the Whole World EP”

Pierce the Veil have released a short EP featuring their latest single, “Today I Saw the Whole World” along with an acoustic rendition of the song. “Today I Saw the Whole World” was included on last year’s album Misadventures and is one of the heavier tracks the band have penned (and arguably the best song on the album).

Thus, it’s exciting to hear an acoustic version of the track, which features a delicate acoustic guitar and scaled back vocals from Vic Fuentes. Whereas the original version finds venom in Fuentes’ words, this new acoustic rendition displays a broken soul. Vic’s opening lines of, “Baby, pour over / Tell me are we concrete? / What would you do without my perfect company to your undressed spine?” feel desperate instead of determined.

The best acoustic tracks tend to dig into new emotions that full band versions can’t completely capture, and “Today I Saw the Whole World” certainly excels. Take a listen below:

Posted by Kiel Hauck

Pierce the Veil Explode on We Will Detonate Tour

A masked intruder enters the stage from behind a curtain, greeted by the screams of those in attendance at the Egyptian Room in downtown Indianapolis. As the anticipation builds, the masked man ignites a box labeled “TNT,” dropping the curtain and unleashing a wave of streamers and confetti as Pierce the Veil rip into rapid opener “Texas is Forever”.

It was just two years ago that the post-hardcore act from San Diego graced this very same stage as I pondered the extended wait for their fourth full-length album. That release came at long last in 2016 with Misadventures, an album that not only lived up to expectations, but deserved another full U.S. trek that has now arrived in the form of the “We Will Detonate!” tour.


But before we get ahead of ourselves, this tour is far more than a victory lap for Pierce the Veil, but also includes a band nearing the top of their game and another band that helped pave the way for the scene as we know it.

Since taking over as lead vocalist for Emarosa, Bradley Walden has been elevating the band’s sound to new heights. Last year’s 131 was a triumph, shedding the notion of what a post-hardcore band could accomplish by embracing pop sensibilities and handling its heartbreaking subject matter with sensitivity and honesty.

Before the opening notes of “Sure” can reach the back of the venue, Walden has jumped into the crowd, where he’ll spend a good portion of the band’s energetic set. Despite the somber tone of some of the band’s newer tracks, Walden and company ramp up the energy of the crowd through their performance. The crowd joins in on the vocal action during single “Helpless” and “Young Lonely”, assisting Walden, whose golden pipes require very little help in belting out every note.

Sum 41

Next up is Sum 41, whose 2016 album 13 Voices finds the band in a sort of resurgence. Although never truly absent from the scene, this collection of surprisingly aggressive material has seemingly breathed new life into the band, which shows during performances of “Fake My Own Death” and “Goddamn I’m Dead Again”.

Deryck Whibley has always been a joy to watch on stage, carrying himself like a true punk elder statesman. Transitioning from smirk to scowl, Whibley leads the crowd in sing-alongs as they rip through their set. Even though it’s a blast to hear new material, there’s still nothing quite like singing along to classics like “In Too Deep” and “Fat Lip”, which sound just as good as ever.

As Pierce the Veil explode into the evening’s final set, it’s easy to see why they remain one of the most electric bands in the genre. Per usual, their stage presence is on point with lead guitarist Tony Perry and bassist Jaime Preciado bounding across the stage amid flashes of light. Vocalist Vic Fuentes commands the crowd from behind the mic while his brother Mike powers the set forward from his drum kit, appropriately mounted atop a giant stack of dynamite.

Pierce the Veil

Something that feels slightly lost in the buzz surrounding Misadventures is the fact that the band recently passed the decade mark, with their debut album A Flair for the Dramatic turning 10 years old this year. Placed amidst hits from Misadventures and Collide with the Sky, the band take time to play classics like “Yeah Boy and Doll Face” and “Stay Away From My Friends”. These moments serve as reminders that Pierce the Veil have been on the rise for a while now, and these older songs are still just as fun to sing along to as they were when the band were sweating out club shows in the late aughts.

Pierce the Veil continue to set the standard for this scene, not only in terms of inventive post hardcore, but with their dedication to extraordinary live performances. I’ve seen songs like “Caraphernelia” and “King for a Day” played countless times at this point, but it’s still a blast to see the energy the band brings to the stage show after show. If we’re lucky, our next wait for new music and another grand tour to show it off won’t last four long years.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Pierce the Veil Share “Floral & Fading” Music Video


Pierce the Veil have released a new music video for “Floral & Fading”, the third single from last year’s Misadventures. One of the slower and more melodic tracks from the album, the video for “Floral & Fading” finds the band back in time playing for a rowdy crowd at a bowling alley. Check out the video, directed by Ethan Lader, below.

What’s been your favorite video so far from Misadventures? Share your thoughts in the replies!

Posted by Kiel Hauck

Review: Pierce the Veil – Misadventures


Four years is a long time to wait – just ask fans of San Diego post-hardcore act Pierce the Veil. The band made the leap in 2012 with the release of their highly lauded album Collide with the Sky, rising from the scene quagmire to become one of the biggest rock bands around. High profile tours and festival placements kept the band on the tip of everyone’s tongue, but as the days continued to tick past with no sight of a new record, it was hard not to wonder if Pierce the Veil had reached their peak.

You can buy Misadventures on iTunes.

You can buy Misadventures on iTunes.

Rumors of Vic Fuentes’ writer’s block did little to quell the concern – and turned out to be partly true. The singer would eventually become fed up with the four studio walls that encapsulated his creativity, hitting the road with the band last year on a journey that would finally spark inspiration; resulting in one of the most unexpected releases you’ll hear this year.

Misadventures is good. It’s really good, actually. But on the first few listens, it’s hard to pinpoint why. For a band that has followed a particular sonic thread through the course of its career, Misadventures is an experiment of the highest order. This album is still very much Pierce the Veil, but it’s a Pierce the Veil you’ve never heard, and didn’t even know you wanted to hear.

The band once again worked with producer Dan Korneff, but requested that he push them in ways that they’d never explored in the past. It’s not often for a band of this stature to mess with a working formula and even less often for it to happen when working with a familiar face. Nevertheless, Misadventures is littered with surprising twists and turns.

I’ve long championed the band for being one of the most technically sound acts in the scene. Collide with the Sky proved the band to be cut from another cloth as they perfected their own signature polished post-hardcore crunch. On Misadventures, Pierce the Veil seeks to perfect everyone else’s sound, too.

Take “Floral & Fading” – easily the slowest and least chaotic song the band has ever written, the track captures the slowed-down, ballad-y pop vibe that All Time Low have been chasing for years, all the way down to the precisely placed “Woah-oh oh’s.” “Bedless” is a deep cut that exhibits a Circa Survive feel with it’s sharp opening notes and jerky pace, while “Sambuka” is an up-tempo punk number.

If it’s not clear already, be warned: early listens to Misadventures are likely to result in whiplash for the uninitiated.

“Today I Saw the Whole World” is one of the most aggressive songs the band has ever written, with frenzied guitar riffs pulled straight from the Saosin playbook. Mike Fuentes has never sounded better behind the kit, driving the track forward at a manic pace with several unruly fills thrown in for good measure.

Once the clamor comes to a close, the album immediately shifts gears once more, leading into the 80s inspired “Gold Medal Ribbon”, one of the most remarkably pleasing track on the album. Complete with an opening guitar solo and starfall keys for good measure, you’re already lost in the sound by the time Vic enters at the one-minute mark with the pleading opening lines of,  “Are you up there? Just give me a signal, I’m reaching you now / Cuz I remember the sound of your voice but I don’t remember what we talked about”.

For all of the experimenting that will define the early chatter surrounding Misadventures, it should be noted that the band also takes ample time to refine and upgrade the Pierce the Veil sound you’ve come to love. Album opener “Dive In” rips from start to finish, highlighted by Tony Perry’s stellar riffing, Jaime Preciado’s thumping bassline and some well-placed programming elements that round out the track. Fuentes tears out of the gate with the ruthless opening lines of, “Dive in, take a breath / Blow the smoke through the hole in my chest”. When the track kicks into high gear “Hell Above”-style around the 1:30 mark, it’s a subtle reminder that this actually is a Pierce the Veil album after all.

Despite the band’s success in recent years, Fuentes’ status as one of the best lyricists around has remained one of the scene’s best-kept secrets. The quirks of Misadventures offer Vic the opportunity to take his knack for turn of phrase to another level, even while overdramatic on “Today I Saw the Whole World”: “While you stood over the pavement I was biting the curb / Sick entertainment, but I bet it feels good (coming down) / Can’t bear to wash out the wasted time / Between your lips and mine”.

Yet just like the sonic journey of Misadventures, the album is a thematic carousel as well, touching on a number of topics well outside of the usual breakup banter. “Circles” tells the story of a couple fleeing for their lives during the 2015 Paris attacks, as Vic sings, “Paper hearts turned to ash begin to fly over our heads / I begin screaming while the exit signs read ‘Heaven’s waiting’”. On album closer “Song for Isabelle”, Fuentes ponders the dark pain and weight that can accompany us once our childhood vanishes.

It’s a testament to the band’s talents that Misadventures doesn’t come off as scatterbrained or over-reaching, even in its most peculiar moments. Instead, the album reads as a collection of journal entries, documenting the band’s long road over the past four years, varying from page to page in both sound and lyric. Which chapters you choose to save to your playlist is likely to vary based on taste, but there’s a little something here for everyone.

Still, perhaps the most exciting thing about Misadventures is the endless roads that now lay before a band no longer confined to their own box. It’s clear that Pierce the Veil has the chops to carry on in any number of sonic directions, continually expanding their massive audience. Let’s just hope we don’t have to wait another four years to find out what comes next.


by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Pierce the Veil to Release “Misadventures” on May 13


At long last, Pierce the Veil have announced their highly anticipated follow-up to 2012’s Collide with the Sky. Misadventures is set to release on May 13 via Fearless Records. The album was produced by Dan Korneff, who co-produced Collide as well. You can view a video announcement from the band below, along with the album artwork and track list:


Track list:
Dive In
Texas is Forever
The Divine Zero
Floral & Fading
Phantom Power and Ludicrous Speed
Today I Saw the Whole World
Gold Medal Ribbon
Song for Isabelle

What are your thoughts on the announcement of Misadventures? Share your excitement for the album in the comments!

Posted by Kiel Hauck

Most Anticipated of 2016: #2 Pierce the Veil Finally Deliver


The Sky is the Limit

When Pierce the Veil released “The Divine Zero” last June, just in time for their run on the Vans Warped Tour, it appeared that the wait for their overdue follow up to 2012’s Collide with the Sky was finally over. Six months later, the wait continues. Will 2016 finally bring one of the most anticipated post-hardcore records in recent memory?

Whether it be writer’s block or otherwise that has kept the San Diego act from returning with a new album, Pierce the Veil have lost little in terms of interest. Still one of the scene’s biggest draws, the band have been able to weather the lull thanks to the lasting power of Collide with the Sky, a surprisingly progressive album, chock full of energy.

That energy translates well to Pierce the Veil’s stellar live performance, which has been another saving grace for the band during this relative stillness. Still, you can feel the confusion and worry setting in with fans as the clock continues to tick. It’s not unprecedented for a band this talented and possessing this much scene capital to fail to follow through on promises and remain in relative limbo (*cough* Saosin *cough*).

But amidst all the foot tapping and hand wringing, there remains the truth that Vic Fuentes, one of emo-core’s most exciting vocalists and songwriters and an admitted perfectionist, could very well be putting the finishing touches on a masterpiece. If any band in the scene is capable of delivering an album that meets the kind of ungodly expectations that this one now does, it just might be Pierce the Veil.

No matter the outcome, after nearly four years of singing the same songs, fans are ready to be rewarded for their patience. It’s time for the talking to end and the music to begin.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Warped Tour 2015: Searching for Hope in a Wounded Scene


Make no mistake – the conversation around Warped Tour is no longer framed as a discussion about the summer’s best music. That ship has sailed, and time will tell if the problems that plague this scene find resolution and if an answer is found to rectify the steady stream of sexual misconduct that continues to rear its ugly head. Until those answers come, it’s hard to care about much else.

At the same time, It’s All Dead was created with a purpose of finding light in the dark, spotlighting the music that makes our hearts full and our minds contemplative. Amidst the frustration surrounding this summer’s tour, we want to take a moment to highlight some of the good things – bands playing with passion and speaking life in a wounded scene.

Below is a collection of bands that we feel encapsulate that idea. Take a look at a few of our favorites from the tour’s recent stop in Noblesville, Indiana.


Palisades want you to move. The band’s unique blend of danceable electronics and crunchy hardcore riffs are the perfect pairing for hot summer days on Warped Tour. Vocalists Louis Miceli and Brandon Sidney combine cool melodies with spastic screams for a light/dark combination that adds an array of emotion to their tracks. Holding down the Kevin Says stage, Palisades appear to be gaining followers by the day.



This Wild Life

Just one year ago, acoustic duo This Wild Life were one of the biggest buzz bands on Warped Tour. This year, they’re holding down the main stage like scene veterans. Kevin Jordan and Anthony Del Grosso’s calm, unflappable presence on stage matches the peaceful journey through pain found on their debut, Clouded. The band even finds time to slip in a quick cover of blink-182’s “First Date” for good measure.

This Wild Life

This Wild Life

The Amity Affliction

The Amity Affliction’s last run on Warped Tour in 2013 found lead vocalist Joel Birch hospitalized and near the end of his rope. This year, the band appears re-energized, fresh off of the release of Let the Ocean Take Me. Birch roars with confidence while Ahren Stringer provides clean vocals that soothe against the band’s pounding sonic background. A substantial crowd sings along passionately as the band rocks the Monster Energy stage, emphasis on the “energy.”

The Amity Affliction

The Amity Affliction


Another buzz band turned breakout, PVRIS are riding high on White Noise, their smash debut album. Lynn Gunn has become a staple in this scene behind the microphone in less than a year, belting out powerful anthems like “My House”, while also being capable of crooning softly on more mellow numbers like “Holy”. When the band opens with “Fire” on the Unicorn stage, the crowd jumps to the beat, becoming a welcome backup choir for Gunn.



The Wonder Years

If you can’t wait for the upcoming release of No Closer to Heaven, you’re not alone. The Wonder Years have already claimed the pop punk crown, but they’re not taking their foot of the gas pedal. Dan Campbell is as lively as ever, singing his heart out to new single “Cardinals” as the crowd shouts along. It’s a fast-paced set, but every minute is filled with poppy guitar riffs, passionate vocals and pumping fists.

The Wonder Years

The Wonder Years

Pierce the Veil

It’s been three long years since Pierce the Veil released Collide with the Sky, an album that propelled the band to new heights. Now, the post-hardcore act is back on Warped Tour with a new song, “The Divine Zero”, and a massive set filled with powerful tracks like “Caraphernalia” and “Hell Above”. Vic Fuentes sounds as good as ever, and it’s hard not to get excited about the band’s forthcoming album, whenever it arrives.

Pierce the Veil

Pierce the Veil

As It Is

As It Is are making the most of their first run on Warped Tour. The British pop punk group made their mark earlier this year with their debut album Never Happy, Ever After. Their songs are full of melody and spunk and lead vocalist Patty Walters is chaotic on the stage as he sings his heart out. Walters may be a blur, but he’s still able to hit the notes with ease. After starting their set with “Speak Soft”, the band never takes their foot off of the gas pedal.

As It Is

As It Is


Metalcore vets blessthefall are Warped Tour pros at this point. Holding down the final set of the day on the Shark Stage, a large turnout sticks around to watch Beau Bokan and company rage through a collection of songs. New track “Up in Flames” sounds like the band at their best, combining crushing breakdowns with melodic passages that mesh with ease. Eric Lambert shreds through each song as Bokan runs from side to side, belting out his notes. It’s hard not to appreciate the work ethic of this band, especially when they show no signs of slowing down.



by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

A Decade of Summer Soundtracks

UPDATE: When I published this in 2015, I found it therapeutic to look back on the albums that pulled me through each summer. Since then, I’ve fallen in love with new albums each year that felt perfect for the season, and I couldn’t help but update the list. Check them all out or fast forward to 2015 and see what’s held my attention for the past four summer seasons!

Summer is here, which means it’s time to roll the windows down, turn up the stereo and blast your favorite songs. I get nostalgic every year thinking about the albums I played on repeat in years past as I rode around, hung out with my friends and enjoyed the sunshine. It never seems to fail – when I think back on each summer of my life, there is always one album that seems to be playing in the background.

Therefore, I’ve decided to compile a list of the albums that served as my summer soundtrack for each of the past ten years. While this list is far from an overview of the best albums of each year, it does reflect a collection of fun records that seem to be perfect for warm summer days. Take a look below and share your favorite summer records in the replies!

underoath-tocs2004: Underoath – They’re Only Chasing Safety

This is actually my all time favorite summertime album. I still remember the day I bought it and how I drove around for weeks without taking it out of my car’s CD player. There’s something about the combination of heavy and light here that gives you the best of both worlds as the guitars transition between poppy and blistering. Spencer Chamberlain and Aaron Gillespie’s trade-off vocals are perfect for sing-alongs, and the stellar production value makes this an instant classic.

anberlin_blueprints2005: Anberlin – Never Take Friendship Personal

This breakout album from Anberlin is full of catchy hooks and fast-paced, emo-tinged rock. On Never Take Friendship Personal, Anberlin came into their own, displaying their songwriting prowess with killer tracks like “Paperthin Hymn” and “The Runaways”. If you can listen to Stephen Christian cry out, “I thought you said forever, over and over / This sleepless night becomes bitter oblivion” and not belt out the notes right along with him, you may need to get your pulse checked.

underoath_david_goldman2006: Underoath – Define the Great Line

Two years after their breakout, Underoath returned with the crushing, genre-shifting Define the Great Line. While this isn’t your typical summer album, it’s impossible to deny the sheer magnitude of the record. The masterful time-signature changes, the eerie electronic sounds, and Spencer Chamberlain’s electrifying roar changed the game. Though there’s far less melody here than was present on They’re Only Chasing Safety, it’s full of powerful, moving tracks, perfect for summer nights.

2007: Paramore – Riot!

Paramore went from emo darlings full of potential to a powerhouse rock outfit seemingly overnight when they released Riot! in the summer of 2007. A wonderful mixture of pop punk and emo rock make this a huge release, with soaring choruses courtesy of Hayley Williams. Whether you’re singing along to the slick chorus of “crushcrushcrush” or head banging along to the fiery “Misery Business”, Riot! is a record made for summer hangouts and road trips.

all_time_low_7152008: All Time Low – So Wrong, It’s Right

Although the album released in the fall of 2007, a deluxe reissue the following year helped propel So Wrong, It’s Right to new heights. To this day, it’s hard to find another pop punk release so full of energy and melody. After the opening guitars of “This is How We Do”, Alex Gaskarth pleads, “Show us off to all your friends” – and we did. By the end of 2008, it seemed like everyone in the world knew the lyrics to “Dear Maria, Count Me In”.

a-day-to-remember2009: A Day to Remember – Homesick

Another breakout album – noticing a trend here? A Day to Remember broke big with Homesick, an album that captured the band’s “easycore” sound better than any other. From crushing breakdowns capped off with cries to “disrespect your surroundings” to soaring, melodic choruses that even your mom would love, Homesick has a little something for everyone. Is it pop punk? Is it metalcore? Does it matter? Homesick is fun as hell.

The-Devil-Wears-Prada-zombie2010: The Devil Wears Prada – Zombie EP

Since I just wrote a full length feature reflecting on this release, I’ll stay brief. The Zombie EP caught everyone off guard at the time of its release and inadvertently became career defining. The furious guitar work on these five songs is unbelievable and the piercing howls and shrieks of Mike Hranica are the sounds of your nightmares. Even still, it’s hard not to turn the volume up during this horror-filled romp.

the_wonder_years2011: The Wonder Years – Suburbia, I’ve Given You All and Now I’m Nothing

The Wonder Years seem to get better with every release, but Suburbia made us all take notice. So far, it’s the definitive pop punk release of this new decade. A walk through a year in the life of lead singer Dan Campbell finds the band lamenting, celebrating and looking for answers – it’s a coming of age story that almost anyone can relate to. To top it off, Suburbia is so full of life through its twists and turns, it’s the perfect soundtrack for self-reflection on lonely summer nights.

pierce-the-veil-credit-adam-elmakias-650-4302012: Pierce the Veil – Collide with the Sky

While Collide with the Sky wasn’t Pierce the Veil’s breakout record, it certainly propelled them to a whole new level. Vic Fuentes’ duet with Kellin Quinn on “King for a Day” became Warped Tour’s song of the summer, as the two sing and scream their way through this furious track. The band is more technical than ever on this release, creating fast-paced post-hardcore numbers like “Hell Above” and calmer, brokenhearted tracks like “I’m Low on Gas and You Need a Jacket”. From front to back, Collide with the Sky is a summer smash.

letlive2013: letlive. – The Blackest Beautiful

Another unexpected album on the list, The Blackest Beautiful just narrowly edged out The Greatest Generation thanks to Jason Butler’s impassioned vocal performance. This isn’t a lighthearted release, but it does keep you on your toes. We generally don’t want our summer albums to make us think too hard, but The Blackest Beautiful commands your attention, even as its sonic background tickles your ears. The band’s wild stint on the 2013 Vans Warped Tour only added to the excitement surrounding the release.

issues2014: Issues – Issues

How can you not love Tyler Carter? The man can sing and write one heck of a hook. Issues is a melting pot of sounds, full of breakdowns, poppy choruses, wild electronics, record scratches and sincere moments. When Carter and Michael Bohn trade off during “Mad at Myself”, it’s mildly reminiscent of the Underoath’s breakthrough a decade prior. It’s easy to imagine the members blasting They’re Only Chasing Safety during the summer of ’04, only to write their own summer anthem 10 years later.

2015: Carly Rae Jepsen – Emotion

An album that caught me completely off guard, won me over, and became my favorite album of the decade (so far). Emotion sonically captures the nostalgic sounds that soundtracked the summers of my youth, but it’s also an album about feeling – something that just seems easier to do in the summertime. It’s clear that Jepsen has a knack for crafting the perfect pop song, and Emotion is front-to-back pop bliss. Tracks like “Run Away with Me” and “Boy Problems” are the perfect tunes to dance away those hot summer nights.

2016: Kanye West – The Life of Pablo

Part of the reason The Life of Pablo owned my summer in 2016, aside from my obvious affinity for his music, was that there was just so much to digest. An album that just kept growing in size (eventually capping off at 20 tracks), Pablo held my interest for months, capping off with an enrapturing live performance at the end of the summer. Nevertheless, for all of the conversation that surrounded this album, beats like those found on “Famous” and “Father Stretch My Hands Pt. 1” made this the kind of summer hip hop record that was inescapable.

2017: Halsey – hopeless fountain kingdom

While fans are still somewhat divided on Halsey’s sophomore effort, there’s no denying that it got played more than anything else during my summer of 2017. Halsey leans into some deep 80s influences on tracks that feel custom built for the season. “Eyes Closed” and “Strangers” are two underrated tracks that sound splendid with the windows down, even as “Bad at Love” become the kind of summer smash that ensured Halsey would be sticking around for a while.

2018: Pusha T – Daytona

I love this album. I love the way it reminds me of the hip hop albums that I would play throughout my summers in high school. I love how it feels fresh and new, even though it’s creator has been around for nearly two decades. I love how it captures the type of sample-based production that makes hip hop endlessly compelling. I love how Pusha T just owns his persona, his voice, his place in the genre. Daytona is the kind of perfect summer rap record that I didn’t even know was still possible to pull off.

2019: ???

Summer 2019 is rapidly heading toward the finish line. It’s probably still too early to claim a victor, but early front runners include Carly Rae Jepsen (Dedicated) and Lil Nas X (7). But I can’t out the new Chance the Rapper record or even a sneak attack from the likes of Halsey or Dua Lipa. Whatever the case, there’s been plenty to enjoy.

by Kiel Hauck

kiel_hauckKiel Hauck is the editor in chief at It’s All Dead. Over the past decade, he has been a contributor for multiple online and print publications and was most recently an editor at PopMatters. Kiel currently resides in Indianapolis, IN with his wife and their imaginary pet, Hand Dog. You can follow him on Twitter.

Pierce the Veil Stream New Song “The Divine Zero”


At long last, Pierce the Veil have released the first single from their upcoming album. “The Divine Zero” picks up where Collide With the Sky left off, featuring crunchy guitar tones and the signature impassioned vocals from Vic Fuentes. You can listen to the track below:

You can buy the song on iTunes. Pierce the Veil’s as-of-yet untitled new album is expected to drop sometime later this year via Fearless Records. Today, the band starts a full summer trek on the Vans Warped Tour. What are your thoughts on the new song? Share in the replies!

Posted by Kiel Hauck