You might’ve done a double take when reading the title of this piece. Anberlin? In 2019? It’s more likely than you think. After a couple of acoustic shows in their homestate of Florida, they announced an Australian tour, then eventually, the much-anticipated U.S. tour we’d all been hoping for.
The first time I saw Anberlin was actually the last time, too. I went to the Boston date of the Final Tour back in 2014. It was the first show I was able to go to without any kind of adult supervision, and I had crappy seats in the House of Blues balcony. It was still one of the best nights of my life and I cherished the fact that, finally, I had seen Anberlin. They’re arguably the most influential band in terms of my musical taste, and I’d say that there’s not one song of theirs I won’t listen to. So obviously, when the tickets went on sale, I was first in line.
Anberlin chose I the Mighty as their supporting band. I’d heard of them but never got around to listening to any of their music. They’re signed to Equal Vision, my favorite label, so I was interested to finally hear what they had to offer. They played a good selection of tracks from their three studio albums, and are talented at the prog-rock they aim to create. They played a great set and aside from some cheesy stage antics, I’d say Anberlin made a good decision.
Despite the great set from the opener, I feel like everyone was too busy waiting for the main event to really pay much attention to them. I almost feel like they didn’t need an opener, but that’s mostly because I’m selfish and wanted six more Anberlin songs. Upon taking the stage, they opened with “Godspeed” from Cities. From there on, the room was totally enthralled with their 21 song set.
Stephen cut the set in half with “Down” from Dark Is the Way, Light Is a Place, and took the opportunity to talk about Children International, which calls on people to sponsor third world children’s needs. The mellow track and call to action didn’t take away from the energy at all, and they continued the next hour of their set with “(The Symphony of) Blase”. They played all the fan favorites (a.k.a. literally any one of their songs) and ended the evening with, of course, “(*Fin)”.
I don’t know what the future holds for Anberlin, and clearly, neither do they. They seem okay with this run of shows being their real final tour. As much as I love Anberlin and have missed them every day since they announced their end, I think I might be okay with it, too. That’s borderline blasphemous, I know, but the members seem to be doing well post-band. They’ve moved on to other side projects, or simply went home to be with their family. I believe they made the right choice in calling it when they did. It made this brief return all the more sweet.
by Nadia Paiva
Nadia Paiva has been a music enthusiast since she can remember. Going to shows is her main pastime. The other is being upset when she can’t go to shows. This is her first official venture into writing about music. You can follow her on Twitter.